【摘要】：我認為確立民族身份及立足于本土傳統(tǒng)是21世紀中韓兩國雕塑發(fā)展的核心方向,這是本文的大前提。在全球化的今天,這種主張會讓人覺得有些不合時宜。對此我們不妨回顧一下,目前全球化這一后現(xiàn)代語境中出現(xiàn)的詞匯里,是否隱藏著“全盤西化”的計謀?對20世紀初的中國和韓國來言,以西為師是不可避免的必然選擇,但進入21世紀,如果仍主張以西方為標準的話,不禁要問這是否才是開歷史倒車?基于如上觀點,筆者主張通過恢復(fù)與傳統(tǒng)雕塑之間的繼承關(guān)系,并立足于民族傳統(tǒng)文化試圖重構(gòu)雕塑體系,探索21世紀中韓兩國雕塑發(fā)展的新道路,并為兩國雕塑發(fā)展提供多種可能性。論文的第一章中,本人展開對如上觀點進行分析。我將傳統(tǒng)主線的斷裂視為阻礙中韓兩國雕塑發(fā)展的局限,并將傳統(tǒng)社會向近代社會轉(zhuǎn)型的裂變和西方現(xiàn)代美術(shù)教育體系的引入,看作是如上薄弱環(huán)節(jié)的最根本性原因。在第二章,筆者對中韓現(xiàn)代雕塑的形成及其發(fā)展路徑進行了梳理,并分析出中韓現(xiàn)代雕塑的特殊性�；趯χ许n現(xiàn)代雕塑發(fā)展的把握,在第三章,將中韓雕塑歷史分為幾個階段,探討了兩國現(xiàn)代雕塑發(fā)展中對民族身份及傳統(tǒng)的探索,并淺談時代背景與藝術(shù)潮流形成的關(guān)系。在最后章節(jié)里,提示中韓雕塑發(fā)展的新可能性,筆者主張通過傳統(tǒng)雕塑的現(xiàn)代轉(zhuǎn)化和改善教育制度等方式,提出了21世紀中韓兩國雕塑發(fā)展中以確立民族身份及立足于本土傳統(tǒng)為導向的具體方案。
[Abstract]:I think that the establishment of national identity and local tradition is the core direction of the development of sculpture in China and South Korea in the 21st century, which is the main premise of this paper. In today's globalized world, such claims may seem somewhat anachronistic. In this regard, we might recall whether globalization, a post-modern context of the vocabulary, is hidden in the "overall westernization" strategy? For China and South Korea in the early 20th century, taking the west as the teacher is an inevitable choice. But when we enter the 21st century, if we still advocate taking the west as the standard, we cannot help but ask whether this is the only way to reverse the course of history. Based on the above point of view, the author argues that through the restoration of the inherited relationship with traditional sculpture, and based on the national traditional culture, the author tries to reconstruct the sculpture system and explore a new road for the development of sculpture in China and South Korea in the 21st century. And provide a variety of possibilities for the development of sculpture in both countries. In the first chapter of the paper, I start to analyze the above point of view. I regard the break of the traditional thread as the limitation that hinders the development of sculpture in China and Korea, and regards the fission of the traditional society to the modern society and the introduction of the western modern art education system as the most fundamental reason for the weak link above. In the second chapter, the author combs the formation and development path of modern sculpture in China and Korea, and analyzes the particularity of modern sculpture in China and Korea. Based on the understanding of the development of modern sculpture in China and Korea, in the third chapter, the history of sculpture in China and South Korea is divided into several stages, and the exploration of national identity and tradition in the development of modern sculpture in both countries is discussed, and the relationship between the background of the times and the formation of artistic trend is also discussed. In the last chapter, the author points out the new possibility of the development of Chinese and Korean sculpture. The author advocates the modern transformation of traditional sculpture and the improvement of educational system, and so on. This paper puts forward a concrete plan to establish national identity and base on local tradition in the development of sculpture between China and South Korea in the 21 ~ (st) century.
【學位授予單位】：中國藝術(shù)研究院
【學位級別】：博士
【學位授予年份】：2017
【分類號】：J305

【參考文獻】

相關(guān)期刊論文 前10條

1 邵大箴;吳為山;;吳為山 張揚雕塑的漢風詩韻[J];文明;2015年04期

2 郅敏;;時代與系統(tǒng)——19世紀至20世紀法國現(xiàn)代雕塑的流變[J];美術(shù);2013年01期

3 盛葳;;如何談?wù)摵屠脗鹘y(tǒng)[J];雕塑;2009年03期

4 劉禮賓;;雕塑界繼承傳統(tǒng)的陳疴新疾[J];雕塑;2009年03期

5 劉禮賓;;“雕塑”概念的淵源、流變和“雕塑家”的出現(xiàn)[J];雕塑;2008年04期

6 范迪安;;塑造人文——論吳為山的雕塑藝術(shù)[J];美苑;2008年02期

7 劉禮賓;;民國早期現(xiàn)代雕塑考察[J];美術(shù);2007年07期

8 劉禮賓;;20世紀二三十年代巴黎國立高等美術(shù)學院的雕塑教學[J];雕塑;2007年03期

9 吳繼金;;“文化大革命”時期的毛澤東塑像[J];黨史縱覽;2007年05期

10 孫振華;創(chuàng)造雕塑藝術(shù)的中國方式——吳為山雕塑藝術(shù)論[J];民族藝術(shù);2005年02期

相關(guān)博士學位論文 前3條

1 邵靖;中國現(xiàn)代城市雕塑的發(fā)展研究[D];蘇州大學;2013年

2 應(yīng)宜文;20世紀初期（1900-1936）中國美術(shù)教育的轉(zhuǎn)型研究[D];浙江大學;2013年

3 鄭工;演進與運動：中國美術(shù)的現(xiàn)代化[D];中國藝術(shù)研究院;2000年

相關(guān)碩士學位論文 前3條

1 趙慧玎;從公共場所的美術(shù)走向公共藝術(shù)[D];中央美術(shù)學院;2013年

2 戚家海;體制與創(chuàng)作[D];中央美術(shù)學院;2010年

3 劉艷萍;蘇聯(lián)雕塑教育模式在新中國的影響[D];中央美術(shù)學院;2008年

，

本文編號：2435257