贛南客家傳統(tǒng)民居裝飾雕塑研究
發(fā)布時間:2018-12-25 13:54
【摘要】:本文從類型學(xué)入手,通過大量的實(shí)地考察,對贛南客家傳統(tǒng)民居中的裝飾雕塑進(jìn)行深入剖析和總結(jié)。 一方文化滋養(yǎng)一方藝術(shù),贛南古民居上的裝飾雕塑,反映了當(dāng)時贛南地區(qū)的政治經(jīng)濟(jì)、生產(chǎn)生活、倫理習(xí)俗、文化藝術(shù)等現(xiàn)實(shí)狀況,是客家歷史文化的縮影。本文首先對裝飾雕塑的概念、特征、分類、功能以及藝術(shù)載體進(jìn)行整理歸納,揭示雕塑和建筑的內(nèi)在聯(lián)系,然后通過對贛南自然和人文環(huán)境的解讀,總結(jié)出贛南客家傳統(tǒng)民居裝飾雕塑具有五種審美特征:意象的造型美、流動的線條美、古拙的材料美、蔓延的空間美、靈動的工藝美。其次結(jié)合贛南地域文化,挖掘其美的源泉,進(jìn)而提煉出裝飾雕塑擁有“生命”、“民俗”、“風(fēng)水”、“活態(tài)”四種文化特質(zhì),,這反映出贛南客家裝飾雕塑深厚的文化底蘊(yùn)。研究是為了傳承創(chuàng)新,最后談到裝飾雕塑對現(xiàn)代環(huán)境設(shè)計的啟示以及在現(xiàn)實(shí)生活中如何具體的運(yùn)用。
[Abstract]:Starting with typology, this paper analyzes and summarizes the decorative sculptures in the traditional Hakka houses in Gannan through a large number of field visits. The culture of one side nourishes one side of art, and the decorative sculptures on the ancient houses of Gannan reflect the political economy, production and life, ethical custom, culture and art of the region at that time, and are the epitome of Hakka history and culture. In this paper, the concept, characteristics, classification, function and artistic carrier of decorative sculpture are summarized, and the inherent relationship between sculpture and architecture is revealed, and then the natural and humanistic environment of Gannan is interpreted. It is concluded that the decorative sculpture of the Hakka traditional residence in Gannan has five aesthetic features: the beauty of image modeling, the beauty of flowing lines, the beauty of ancient materials, the beauty of spreading space and the beauty of craftsmanship. Secondly, combining with the regional culture of Gannan, the author excavates the source of its beauty, and then abstracts the four cultural characteristics of decorative sculpture: "life", "folklore", "fengshui" and "living state", which reflects the profound cultural background of Gannan Hakka decorative sculpture. The purpose of the research is to inherit and innovate. Finally, the enlightenment of decorative sculpture to modern environmental design and how to use it in real life are discussed.
【學(xué)位授予單位】:贛南師范學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:TU241.5;J305
本文編號:2391216
[Abstract]:Starting with typology, this paper analyzes and summarizes the decorative sculptures in the traditional Hakka houses in Gannan through a large number of field visits. The culture of one side nourishes one side of art, and the decorative sculptures on the ancient houses of Gannan reflect the political economy, production and life, ethical custom, culture and art of the region at that time, and are the epitome of Hakka history and culture. In this paper, the concept, characteristics, classification, function and artistic carrier of decorative sculpture are summarized, and the inherent relationship between sculpture and architecture is revealed, and then the natural and humanistic environment of Gannan is interpreted. It is concluded that the decorative sculpture of the Hakka traditional residence in Gannan has five aesthetic features: the beauty of image modeling, the beauty of flowing lines, the beauty of ancient materials, the beauty of spreading space and the beauty of craftsmanship. Secondly, combining with the regional culture of Gannan, the author excavates the source of its beauty, and then abstracts the four cultural characteristics of decorative sculpture: "life", "folklore", "fengshui" and "living state", which reflects the profound cultural background of Gannan Hakka decorative sculpture. The purpose of the research is to inherit and innovate. Finally, the enlightenment of decorative sculpture to modern environmental design and how to use it in real life are discussed.
【學(xué)位授予單位】:贛南師范學(xué)院
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2014
【分類號】:TU241.5;J305
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本文編號:2391216
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