【摘要】：在社會經(jīng)濟(jì)全球化的發(fā)展下,人們的認(rèn)識水平也隨之不斷提高,使得人們對城市文化生活的需要不斷增強(qiáng)。同時越來越多的公共藝術(shù)形式也出現(xiàn)在當(dāng)今社會之中,城市雕塑從中脫穎而出成為最具有代表性的類型之一。每個城市都有自己的文化特色且可以通過雕塑這一公共藝術(shù)形式進(jìn)行傳播,在展現(xiàn)城市歷史、地域文化方面給人以最直接的感官享受,通過這種方式來提升我們當(dāng)今城市的精神風(fēng)貌與的文化內(nèi)涵。論文首先從歷史文脈與三國文化研究入手,就歷史文脈的概念、三國文化概況及與城市雕塑的關(guān)系做了大量詳細(xì)的介紹,希望通過合理的運用使歷史文脈在景觀雕塑設(shè)計中發(fā)揮重要作用。其次分析了歷史文脈對城市雕塑創(chuàng)作內(nèi)容、表現(xiàn)形式、雕塑的尺度與材質(zhì)這些方面的影響。由于論文有具體的雕塑創(chuàng)作項目作為依托,再配合前面大量的理論依據(jù),對闡述三國文化與城市雕塑的關(guān)系,做到了既有理論依據(jù)又有實踐意義。在進(jìn)行雕塑創(chuàng)作設(shè)計前期,筆者多次對項目基地及周邊環(huán)境進(jìn)行實地調(diào)研,拍攝和整理了大量基地現(xiàn)狀照片和考察資料。勉縣諸葛古鎮(zhèn)的武侯祠是彰顯三國文化特色的重要歷史遺址,體現(xiàn)出諸葛古鎮(zhèn)的重要性和特殊性,使其更適合承擔(dān)整體反映和展示三國文化的歷史脈絡(luò)的任務(wù)。從歷史文脈視角出發(fā),再結(jié)合諸葛古鎮(zhèn)雕塑實體創(chuàng)作為案例,力求探索在城市雕塑發(fā)展背景下,探討歷史文脈在城市雕塑設(shè)計中題材選取、創(chuàng)作形式、尺度及材質(zhì)問題,試圖在創(chuàng)作完成后能達(dá)到所期待的效果,在它所置放的空間中能表現(xiàn)出三國文化特點,讓三國文化得以傳承與發(fā)揚。通過分析研究,論文就在全球經(jīng)濟(jì)國際化、經(jīng)濟(jì)商業(yè)化飛速發(fā)展的大環(huán)境下,如何將三國文化主題雕塑融入城市公共藝術(shù)之中這一切入點進(jìn)行研究,在雕塑設(shè)計中將歷史文脈與當(dāng)代新事物有機(jī)結(jié)合起來,更好地提升我國城市的文化品質(zhì)和歷史內(nèi)涵。同時通過本文研究最后總結(jié)出以下設(shè)計原則:1.與地域自然環(huán)境的結(jié)合。2.與歷史人文環(huán)境的結(jié)合。3.與三國文化的結(jié)合。希望能夠通過此次雕塑設(shè)計讓人們更多的關(guān)注到漢中勉縣的三國文化。
[Abstract]:With the development of social and economic globalization, people's level of understanding has been improved constantly, which makes people's need for urban cultural life to be strengthened. At the same time, more and more public art forms also appear in today's society, urban sculpture emerged as one of the most representative types. Each city has its own cultural characteristics and can be transmitted through the public art form of sculpture, giving people the most direct sensory enjoyment in terms of showing the history and geographical culture of the city. Through this way to enhance our city's spiritual features and cultural connotations. This paper begins with the study of historical context and the culture of the three Kingdoms, and introduces in great detail the concept of historical context, the general situation of the culture of the three Kingdoms and the relationship between historical context and urban sculpture. It is hoped that historical context will play an important role in landscape sculpture design through rational application. Secondly, it analyzes the influence of historical context on the content, form, scale and material of urban sculpture creation. Because the thesis has the concrete sculpture creation project as the support, then cooperates with the previous massive theoretical basis, has achieved both the theory basis and the practice significance to expound the three Kingdoms culture and the city sculpture relations. In the early stage of sculpture creation and design, the author carried out a lot of field research on the project base and its surrounding environment, taking and arranging a large number of photos and investigation materials of the present situation of the base. The Wuhou Temple in the ancient town of Zhuge in Mian County is an important historical site that highlights the cultural characteristics of the three Kingdoms, reflecting the importance and particularity of the ancient town of Zhuge, making it more suitable for the task of reflecting and displaying the historical context of the culture of the three Kingdoms as a whole. From the perspective of historical context, combined with the case of sculpture entity creation in Zhuge ancient town, this paper tries to explore the selection of themes, creative form, scale and material quality of historical context in the design of urban sculpture under the background of the development of urban sculpture. The author tries to achieve the desired effect after the creation is completed, and to display the cultural characteristics of the three Kingdoms in the space it places, so that the culture of the three Kingdoms can be passed on and carried forward. Through the analysis and research, the paper studies how to integrate the cultural theme sculpture of the three countries into the urban public art under the environment of the global economic internationalization and the rapid development of the economy commercialization. In the sculpture design, the historical context and the contemporary new things are organically combined to improve the cultural quality and historical connotation of the cities in our country. At the same time, the following design principles are summarized through the research: 1. Integration with the regional natural environment. 2. Integration with the historical and humanistic environment. 3. The integration with the culture of the three Kingdoms. I hope that through this sculpture design people pay more attention to the culture of the three Kingdoms in Mian County, Hanzhong.
【學(xué)位授予單位】：西安建筑科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J313.2

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