新世紀以來中國武俠片的轉(zhuǎn)型
發(fā)布時間：2019-07-06 13:36
【摘要】：武俠電影是中國電影特有的一種類型電影,是中國尚未齊全的類型片門類中最具影響力的片種,在整個中國電影史的進程中占據(jù)了不可替代的位置,是最具民族文化特色的片種,是全世界觀眾都樂于接受的電影類型。中國加入世界貿(mào)易組織后,影視產(chǎn)業(yè)承受了比過去更大的壓力,電影的商業(yè)價值被提到關(guān)系電影業(yè)存亡的地位。新世紀武俠電影在創(chuàng)作上既取得了突破和進步,在走向國際化的道路上,武俠電影的大制作也存在的一些致命缺陷。 本論文主要分四個部分內(nèi)容,第一部分,在全文起拋磚引玉的作用,從回顧武俠電影的歷史演進入手,分析武俠電影的文化資源優(yōu)勢,綜合類型電影理論,總結(jié)武俠電影在電影史上的地位和成績。第二部分,第一節(jié),分析新世紀武俠電影轉(zhuǎn)型的時代背景,指出21世紀初出現(xiàn)武俠大制作的潮流既是機緣巧合,又有一定的必然性。第二節(jié)闡述這一時期武俠電影在主題、內(nèi)涵、類型特征、武打風格等方面的拓展,呈現(xiàn)出的新特色。第三部分,選取中國大陸、香港、臺灣三個地區(qū)的文本進行分析第四部分,對新世紀武俠電影的“文本缺陷”進行分析,對該時期的武俠作品大多在商業(yè)上取得了傲人成績,而非它的真正價值。點明武俠電影一面是在“大片模式”麻醉下的虛假繁榮,另一面母題缺乏空洞面臨死亡的擔憂。
[Abstract]:Martial arts film is a unique type of Chinese film, and it is the most influential type of film in China. It occupies an irreplaceable position in the whole process of Chinese film history, is the most national cultural characteristics of the film, and is a film type that audiences all over the world are willing to accept. After China's accession to the World Trade Organization (WTO), the film and television industry has been under greater pressure than in the past, and the commercial value of the film has been mentioned to be related to the survival of the film industry. In the new century, martial arts films have not only made breakthroughs and progress in their creation, but also have some fatal defects in the production of martial arts films on the road of internationalization. This paper is mainly divided into four parts. The first part plays an important role in the full text. Starting with reviewing the historical evolution of martial arts films, this paper analyzes the advantages of cultural resources of martial arts films, synthesizes the theory of type films, and summarizes the position and achievements of martial arts films in the history of film. The second part, the first section, analyzes the background of the transformation of martial arts films in the new century, and points out that the trend of martial arts production at the beginning of the 21st century is not only an opportunity coincidence, but also a certain necessity. The second section expounds the new characteristics of martial arts films in this period in terms of theme, connotation, type characteristics, martial arts style and so on. In the third part, the text of mainland China, Hong Kong and Taiwan is analyzed in the fourth part, and the "text defects" of martial arts films in the new century are analyzed. Most of the martial arts works in this period have made outstanding achievements in business, rather than its real value. It is pointed out that martial arts movies are false prosperity under the anesthesia of blockbuster mode on the one hand, and empty fear of death on the other.
【學位授予單位】：西南交通大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
本文編號：2511053
[Abstract]:Martial arts film is a unique type of Chinese film, and it is the most influential type of film in China. It occupies an irreplaceable position in the whole process of Chinese film history, is the most national cultural characteristics of the film, and is a film type that audiences all over the world are willing to accept. After China's accession to the World Trade Organization (WTO), the film and television industry has been under greater pressure than in the past, and the commercial value of the film has been mentioned to be related to the survival of the film industry. In the new century, martial arts films have not only made breakthroughs and progress in their creation, but also have some fatal defects in the production of martial arts films on the road of internationalization. This paper is mainly divided into four parts. The first part plays an important role in the full text. Starting with reviewing the historical evolution of martial arts films, this paper analyzes the advantages of cultural resources of martial arts films, synthesizes the theory of type films, and summarizes the position and achievements of martial arts films in the history of film. The second part, the first section, analyzes the background of the transformation of martial arts films in the new century, and points out that the trend of martial arts production at the beginning of the 21st century is not only an opportunity coincidence, but also a certain necessity. The second section expounds the new characteristics of martial arts films in this period in terms of theme, connotation, type characteristics, martial arts style and so on. In the third part, the text of mainland China, Hong Kong and Taiwan is analyzed in the fourth part, and the "text defects" of martial arts films in the new century are analyzed. Most of the martial arts works in this period have made outstanding achievements in business, rather than its real value. It is pointed out that martial arts movies are false prosperity under the anesthesia of blockbuster mode on the one hand, and empty fear of death on the other.
【學位授予單位】：西南交通大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
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