【摘要】：“創(chuàng)作意識(shí)”是導(dǎo)演進(jìn)行作品創(chuàng)作的堅(jiān)實(shí)基礎(chǔ)和核心動(dòng)力,是導(dǎo)演體現(xiàn)自己理念、意圖、心理的主觀性表達(dá),從影片的前期籌備工作到影片的上映,導(dǎo)演的“創(chuàng)作意識(shí)”會(huì)貫穿整個(gè)過程。在如今國內(nèi)導(dǎo)演中,姜文是在作品中最能表達(dá)自己創(chuàng)作意識(shí)的,他總是以一個(gè)“純爺們”的姿態(tài)站在觀眾面前,從《陽光燦爛的日子》到《一步之遙》這五部作品都被姜文打上了獨(dú)特的“姜氏”烙印。本文以姜文的“創(chuàng)作意識(shí)”為出發(fā)點(diǎn),以他的精英創(chuàng)作意識(shí)、英雄形象意識(shí)、文化反思意識(shí)、個(gè)性表達(dá)意識(shí)、電影商業(yè)意識(shí)這五方面為主要論點(diǎn)進(jìn)行分析。緒論部分主要是介紹和收集分析關(guān)于姜文的書籍資料文章,對(duì)姜文作品的研究現(xiàn)狀,和本文的研究意義、目的、主題展開論述。第一章主要是介紹姜文導(dǎo)演創(chuàng)作意識(shí)的生成原因,第二章是他不追求產(chǎn)量,而是在意自己的思想契合及精雕細(xì)琢的精英創(chuàng)作意識(shí);第三章是他潛意識(shí)的英雄崇拜和情結(jié),但角色卻未必都是塑造英雄,也包括對(duì)英雄的消解;第四章是他的文化反思意識(shí)的隱喻,是指他的電影主題,都帶有明顯的文化意味和思想性;第五章是他的個(gè)性表達(dá)意識(shí)的顛覆,指的是是他的作品從手法到形式都獨(dú)具特點(diǎn),如色彩、如結(jié)構(gòu),如敘事、如對(duì)話、如幽默、如反諷,第六章是以姜文為例討論導(dǎo)演的個(gè)性化與傳播的市場(chǎng)化之間的矛盾與妥協(xié)或融合性問題。
[Abstract]:"Creative consciousness" is the solid foundation and core motive force for the director to create his works, and it is the subjective expression of the director's own idea, intention and psychology, from the preparatory work of the film to the release of the film. The director's creative consciousness runs through the whole process. Among today's domestic directors, Jiang Wen is the most able to express his creative consciousness in his works. He always stands in front of the audience as a "pure master." From "Sunshine Day" to "one step away", these five works have been branded with the unique "Jiang Shi" by Jiang Wen. This paper takes Jiang Wen's "creative consciousness" as the starting point, and takes his elite creative consciousness, hero image consciousness, cultural reflection consciousness, personality expression consciousness and film business consciousness as the main arguments. The introduction part mainly introduces and analyzes the books and materials about Jiang Wen, the research status of Jiang Wen's works, and the significance, purpose and theme of this paper. The first chapter mainly introduces the reasons for the formation of Jiang Wen's creative consciousness, the second chapter is that he does not pursue output, but cares about his own ideological fit and carefully carved elite creative consciousness. The third chapter is his subconscious hero worship and complex, but the role is not necessarily to shape the hero, but also includes the elimination of the hero; The fourth chapter is the metaphor of his consciousness of cultural reflection, which refers to his film theme, which has obvious cultural meaning and ideological nature. The fifth chapter is the subversion of his personal expression consciousness, which refers to the unique characteristics of his works from technique to form, such as color, such as structure, narration, dialogue, humor and irony. The sixth chapter takes Jiang Wen as an example to discuss the contradiction and compromise or integration between the individualization of director and the marketization of communication.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J905

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