穿越劇的文化現(xiàn)象研究
發(fā)布時間：2019-01-28 20:14
【摘要】：隨著市場經(jīng)濟的不斷發(fā)展和文化市場的日益擴展，各類電視劇題材不斷推陳出新。穿越劇作為熒屏新寵，掀起收視熱潮，在當前電視劇市場中頗受歡迎，成為時下一種流行的文化現(xiàn)象。作為一種新興的電視劇題材，穿越劇以其天馬行空的想象、時空交錯的劇情，帶給觀眾新鮮的審美體驗。與穿越劇的熱播程度不相協(xié)調(diào)的是，目前學界對于這方面的研究卻剛剛起步，許多研究角度尚無人涉及，全面整體的研究更是欠缺。 本文將立足于穿越劇這一新鮮的電視劇形態(tài)，對其起源、發(fā)展、流行原因等進行了較為全面、系統(tǒng)的梳理和歸納，并對其未來的發(fā)展方向作初步的探討。本文的思路如下：首先簡要介紹本文的選題背景、研究現(xiàn)狀及研究內(nèi)容。目前研究多停留在對某部作品的簡短評論，或是對穿越劇盛行外部原因的簡單探討，缺乏對穿越劇本體和整體的關注。本文即是立足此現(xiàn)狀，旨在對穿越劇進行較為深入、整體的研究；第一部分對穿越劇的涵義進行界定并從縱向上追溯其文化源流及梳理其發(fā)展歷程。指出穿越劇的核心是“穿越”這一藝術手段與其他類型劇的糅合混搭；并從古代文本開始追溯，系統(tǒng)地梳理穿越文化在我國的文化溯源，文本發(fā)展，再至電視劇藝術的發(fā)展過程；第二部分則立足穿越劇本體，從文本類型、故事模式、主題上分析歸納其內(nèi)在魅力；第三部分立足穿越劇審美特征、大眾文化心理及當前社會文化背景，從內(nèi)因、外因角度綜合考慮，深度剖析穿越劇這一文化熱潮的產(chǎn)生的原因，分析總結出穿越劇的風行是由于其獨特的審美體驗，以及受眾文化心理上的種種訴求，另外，大眾文化的發(fā)展，，媒介的變遷，媒體商業(yè)化的運作和精準營銷也是穿越劇流行的重要社會原因；第四部分從橫向上將國內(nèi)穿越劇與國外穿越作品進行比較，分析其各自文化背景下呈現(xiàn)出的差異；最后歸納總結出國內(nèi)穿越劇現(xiàn)存問題，即同質化的情節(jié)模式、庸俗化的審美趣味、膚淺化的文化內(nèi)涵，并從內(nèi)容、模式等方面的創(chuàng)新，以及內(nèi)涵、邏輯的完善方面提出一些思考。
[Abstract]:With the development of market economy and the expansion of cultural market, all kinds of TV plays are constantly innovating. As a new favorite of TV screen, traversing drama is popular in the market of TV series and becomes a popular cultural phenomenon. As a new TV drama theme, traversing drama with its imagination, space-time staggered plot, to the audience fresh aesthetic experience. At present, the academic research on this aspect has just started, many research angles have not been involved, and the overall research is even less. Based on the new form of traversing drama, this paper makes a comprehensive and systematic analysis of its origin, development and popular reasons, and makes a preliminary discussion on its future development direction. The ideas of this paper are as follows: firstly, the background, research status and research content of this paper are briefly introduced. At present, the research mainly focuses on a short review of a work, or a simple discussion of the external reasons for the prevailing of traversing drama, and lacks of attention to the traversing script and the whole. The first part defines the meaning of traversing drama and traces its cultural origin and development process vertically. It is pointed out that the core of the traversing drama is the blending of the artistic means of "crossing" with other types of drama. And from the ancient text began to trace, systematically combing through the culture in our country's cultural origin, text development, and then to the development process of the arts of TV drama; The second part is based on the traversing script style, from the text type, story model, theme analysis and induction of its inherent charm; The third part is based on the aesthetic characteristics of traversing drama, popular cultural psychology and current social and cultural background, from the perspective of internal and external factors, in-depth analysis of the causes of the cultural upsurge of traversing drama. It is concluded that the popularity of traversing drama is due to its unique aesthetic experience, as well as various demands of the audience's cultural psychology. In addition, the development of popular culture and the changes of media, The operation of media commercialization and precision marketing are also the important social reasons for the popularity of traversing drama. The fourth part makes a comparison between domestic traversing drama and foreign traversing works, and analyzes the differences in their respective cultural backgrounds. Finally, it summarizes the existing problems of domestic traversing drama, that is, the homogenized plot model, vulgar aesthetic taste, superficial cultural connotation, and innovation and connotation from the aspects of content, mode, etc. Some thoughts on the perfection of logic are put forward.
【學位授予單位】：南京航空航天大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
本文編號：2417280
[Abstract]:With the development of market economy and the expansion of cultural market, all kinds of TV plays are constantly innovating. As a new favorite of TV screen, traversing drama is popular in the market of TV series and becomes a popular cultural phenomenon. As a new TV drama theme, traversing drama with its imagination, space-time staggered plot, to the audience fresh aesthetic experience. At present, the academic research on this aspect has just started, many research angles have not been involved, and the overall research is even less. Based on the new form of traversing drama, this paper makes a comprehensive and systematic analysis of its origin, development and popular reasons, and makes a preliminary discussion on its future development direction. The ideas of this paper are as follows: firstly, the background, research status and research content of this paper are briefly introduced. At present, the research mainly focuses on a short review of a work, or a simple discussion of the external reasons for the prevailing of traversing drama, and lacks of attention to the traversing script and the whole. The first part defines the meaning of traversing drama and traces its cultural origin and development process vertically. It is pointed out that the core of the traversing drama is the blending of the artistic means of "crossing" with other types of drama. And from the ancient text began to trace, systematically combing through the culture in our country's cultural origin, text development, and then to the development process of the arts of TV drama; The second part is based on the traversing script style, from the text type, story model, theme analysis and induction of its inherent charm; The third part is based on the aesthetic characteristics of traversing drama, popular cultural psychology and current social and cultural background, from the perspective of internal and external factors, in-depth analysis of the causes of the cultural upsurge of traversing drama. It is concluded that the popularity of traversing drama is due to its unique aesthetic experience, as well as various demands of the audience's cultural psychology. In addition, the development of popular culture and the changes of media, The operation of media commercialization and precision marketing are also the important social reasons for the popularity of traversing drama. The fourth part makes a comparison between domestic traversing drama and foreign traversing works, and analyzes the differences in their respective cultural backgrounds. Finally, it summarizes the existing problems of domestic traversing drama, that is, the homogenized plot model, vulgar aesthetic taste, superficial cultural connotation, and innovation and connotation from the aspects of content, mode, etc. Some thoughts on the perfection of logic are put forward.
【學位授予單位】：南京航空航天大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
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