發(fā)布時(shí)間：2019-01-20 13:29

【摘要】：語態(tài)是當(dāng)前在傳媒研究中出現(xiàn)頻率很高的一個(gè)詞匯。何謂語態(tài)？語態(tài)是主體參與言語交際時(shí)表現(xiàn)出來的態(tài)度，通常我們將它理解為說話的態(tài)度，敘述的方式。從1958年北京電視臺(tái)成立至今，在中國電視五十多年的歷史之中，作為電視銀屏上最重要的節(jié)目類型之一的紀(jì)錄片，其語態(tài)在不斷的發(fā)生著變遷。 縱觀中國紀(jì)錄片的語態(tài)變遷，從官方紀(jì)錄片話語的一枝獨(dú)秀到精英語態(tài)繁榮，從大眾語態(tài)突起到多元語態(tài)共融，，不同時(shí)期中國電視紀(jì)錄片語態(tài)總是篆刻著特定時(shí)代的烙印，體現(xiàn)著不同時(shí)期社會(huì)政治、經(jīng)濟(jì)、文化基本特征。本文正是以電視紀(jì)錄片語態(tài)變遷作為切入點(diǎn)，以中國電視紀(jì)錄片不同發(fā)展時(shí)期的經(jīng)典作品作為個(gè)案，縱向分析和梳理中國電視紀(jì)錄片在50多年的發(fā)展歷程中，其不同發(fā)展時(shí)期的作品所體現(xiàn)出的語態(tài)類型及特征，深入分析和挖掘各類語態(tài)產(chǎn)生的背景特別是文化根源，最終能夠清晰的呈現(xiàn)出中國電視紀(jì)錄片語態(tài)變遷的基本軌跡及未來發(fā)展趨向。全文共分四個(gè)部分： 第一部分重點(diǎn)分析和闡述了中國電視紀(jì)錄片從誕生到改革開放前這段時(shí)期官話話語語態(tài)統(tǒng)治下的語態(tài)的生成背景及基本特征，并對這一時(shí)期的作品進(jìn)行整體綜述和個(gè)案分析。第二部分重點(diǎn)分析了闡述了上世紀(jì)70年代末至90年代初精英話語產(chǎn)生的時(shí)代背景及語態(tài)特征，并對該時(shí)期的作品進(jìn)行整體綜述和個(gè)案分析。第三部分重點(diǎn)分析和闡述了上世紀(jì)90年代初至21世紀(jì)初平民語態(tài)產(chǎn)生的時(shí)代背景以及在這一時(shí)期官方語態(tài)、精英語態(tài)及平民語態(tài)等多元語態(tài)共存的表現(xiàn)和特征，同時(shí)對該時(shí)期的作品進(jìn)行整體綜述和個(gè)案分析。第四部分重點(diǎn)分析和闡述了新世紀(jì)以來我國電視紀(jì)錄片片主流話語回歸的社會(huì)背景以及多元化創(chuàng)作的基本表現(xiàn)與特征。
[Abstract]:Voice is one of the most frequently used words in media research. What is voice? Voice is the attitude shown by the subject in verbal communication, which is usually understood as the attitude of speaking and the way of narration. From the establishment of Beijing TV station in 1958 to now, in the history of more than 50 years of Chinese TV, as one of the most important program types on TV screen, the voice of documentary is constantly changing. Throughout the voice changes of Chinese documentaries, from the dominance of the official documentary discourse to the prosperity of the elite voice, from the emergence of the popular voice to the integration of multiple voices, the voice of the Chinese television documentary is always engraved with the brand of a specific era in different periods. It embodies the basic characteristics of social politics, economy and culture in different periods. This article takes the voice change of the TV documentary as the breakthrough point, takes the classic works of the different development period of the Chinese TV documentary as a case, and analyzes and combs the development course of the Chinese TV documentary in the past 50 years. His works in different periods of development reflect the types and characteristics of voice, and deeply analyze and excavate the background of various kinds of voices, especially the root of culture. Finally, it can clearly show the basic track and future development trend of the voice change of Chinese TV documentary. The paper is divided into four parts: the first part focuses on the analysis and elaboration of the background and basic characteristics of the voice formation of the Chinese TV documentary during the period from the birth to the reform and opening up period before the reform and opening up. And this period works of the overall review and case analysis. The second part focuses on the analysis of the background and voice characteristics of elite discourse from the late 1970s to the early 1990s, and the overall review and case study of the works of this period. The third part focuses on analyzing and expounding the background of the generation of the common voice from the beginning of 1990s to the beginning of the 21st century and the manifestation and characteristics of the coexistence of the official voice, the elite voice and the civilian voice in this period. At the same time, the work of the period of the overall review and case analysis. The fourth part focuses on the analysis and elaboration of the social background of the return of mainstream discourse of Chinese TV documentary film since the new century and the basic performance and characteristics of diversified creation.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J952

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