故事還原歷史：《追蹤埃及迷城》中真實再現(xiàn)手法的研究
發(fā)布時間：2019-01-11 09:14
【摘要】：1922年,美國導演弗拉哈迪的《北方的納努克》開始公映,從此它就被公認是世界上的第一部紀錄片。法國的評論家們給予了高度評價,將其與古希臘戲劇相提并論,人類的影像世界因而被劃分成了兩個截然不同的領域：真實紀錄的紀錄片和虛擬劇情的故事片。1 在中國新世紀的第一個十年,以英國廣播公司為代表的海外紀錄片大量引進中國,讓中國紀錄片領域花樣翻新、創(chuàng)新不斷。最為突出的是“真實再現(xiàn)”這一表現(xiàn)手法向前邁進了一步,搬演的尺度得到極大拓展,出現(xiàn)了大量的人物對話,劇情再現(xiàn)的使用也越來越多,因此“真實再現(xiàn)”也就受到了更多的關注和重視。 本文以《追蹤埃及迷城》為例,從人物的扮演、人物的形象還原、場景的還原以及歷史地點的還原和對比等方面來解析這部紀錄片的真實再現(xiàn)手法。同時,該片中的真實再現(xiàn)具有某些主觀的情感因素,從而可能導致不真實,與紀錄片“真實性”的原則相悖。筆者試圖在相應的分析中闡述自己對“真實再現(xiàn)”手法的理解、以及“真實再現(xiàn)”手法在今后的發(fā)展態(tài)勢。 在歷史題材的紀錄片中,如何將逝去的歷史還原,這是一個大問題,而“真實再現(xiàn)”不僅可以在一定程度上彌補這個缺憾,還原缺失的影像資料,同時還容易吸引觀眾走進紀錄片中,具象地去感受曾經的歷史,從而獲得形象的歷史知識。當然,如果一味地追求畫面的豐富、情節(jié)的跌宕起伏和人物感情的渲染,勢必影響到紀錄片的真實性。這是真實再現(xiàn)手法與紀錄片的真實性之間必須把握好的度。
[Abstract]:In 1922, American director Flahatti's "Nanook of the North" was released, and it has been recognized as the world's first documentary ever since. French critics praised it highly, comparing it to ancient Greek drama. The world of human images is thus divided into two distinct areas: documentaries with real records and feature films with virtual plots. 1 in the first decade of the new century in China, Overseas documentaries, represented by the British Broadcasting Corporation (BBC), have been introduced into China in a large number, making Chinese documentaries innovative and innovative. The most outstanding is that the expression of "real representation" has taken a step forward, the scale of moving performance has been greatly expanded, a large number of character dialogues have emerged, and the use of plot reappearance has been increasing. Therefore, "real reproduction" has also been paid more attention and attention. In this paper, the author takes tracing Egypt's lost City as an example to analyze the true reappearance of the documentary from the aspects of personage, image restoration, scene restoration and historical location restoration and comparison. At the same time, the reappearance of reality in the film has some subjective emotional factors, which may lead to untruth, contrary to the principle of documentary "authenticity". In the corresponding analysis, the author tries to expound his understanding of the "real reappearance" technique and the development trend of the "real reappearance" technique in the future. In historical documentaries, how to restore the lost history is a big problem, and "true reproduction" can not only make up for this shortcoming, but also restore the missing image materials. At the same time, it is easy to attract the audience into the documentary, feel the history of the past concretely, so as to gain historical knowledge of the image. Of course, if we blindly pursue the rich picture, the plot ups and downs and the rendering of the characters' feelings, it will inevitably affect the authenticity of the documentary. This is the true reappearance technique and the documentary's authenticity must grasp the degree.
【學位授予單位】：云南大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J952
本文編號：2406955
[Abstract]:In 1922, American director Flahatti's "Nanook of the North" was released, and it has been recognized as the world's first documentary ever since. French critics praised it highly, comparing it to ancient Greek drama. The world of human images is thus divided into two distinct areas: documentaries with real records and feature films with virtual plots. 1 in the first decade of the new century in China, Overseas documentaries, represented by the British Broadcasting Corporation (BBC), have been introduced into China in a large number, making Chinese documentaries innovative and innovative. The most outstanding is that the expression of "real representation" has taken a step forward, the scale of moving performance has been greatly expanded, a large number of character dialogues have emerged, and the use of plot reappearance has been increasing. Therefore, "real reproduction" has also been paid more attention and attention. In this paper, the author takes tracing Egypt's lost City as an example to analyze the true reappearance of the documentary from the aspects of personage, image restoration, scene restoration and historical location restoration and comparison. At the same time, the reappearance of reality in the film has some subjective emotional factors, which may lead to untruth, contrary to the principle of documentary "authenticity". In the corresponding analysis, the author tries to expound his understanding of the "real reappearance" technique and the development trend of the "real reappearance" technique in the future. In historical documentaries, how to restore the lost history is a big problem, and "true reproduction" can not only make up for this shortcoming, but also restore the missing image materials. At the same time, it is easy to attract the audience into the documentary, feel the history of the past concretely, so as to gain historical knowledge of the image. Of course, if we blindly pursue the rich picture, the plot ups and downs and the rendering of the characters' feelings, it will inevitably affect the authenticity of the documentary. This is the true reappearance technique and the documentary's authenticity must grasp the degree.
【學位授予單位】：云南大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J952
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