試論新世紀香港黑幫電影暴力表達的現(xiàn)實化傾向
發(fā)布時間：2018-11-20 10:32
【摘要】：黑幫片是香港最具特色的電影類型,有著舉足輕重的地位,其中"暴力元素"的表達既是該影片類型的特色,也是它擴散影響的重要手段。新世紀后的香港黑幫片在回歸祖國、金融危機、CEPA協(xié)議(《關(guān)于建立更緊密經(jīng)貿(mào)關(guān)系的安排》的簡稱)簽訂的時代背景下,其文本與以往相比有了一些新的變化和特征,暴力表達的具體手法有了更深層次的探索和嘗試,并逐漸形成了不同于前人的文本訴求,最終融合而成了新世紀香港黑幫片的"新形態(tài)"。這一新形態(tài)最突出的表現(xiàn)即對現(xiàn)實化的強調(diào),包括對世俗價值的強調(diào),對黑幫所在的社會形態(tài)的現(xiàn)實化展現(xiàn)。香港的黑幫片試圖以一種常態(tài)化的寫實手法,自主且積極地融入具有特色的香港現(xiàn)實。這一現(xiàn)實化一方面強調(diào)人物的現(xiàn)實化、世俗化,另一方面強調(diào)背景環(huán)境的真實性,強調(diào)人物及其空間關(guān)系之間形成的新的表達意圖和美學特征。區(qū)別于上世紀以吳宇森為代表的浪漫化暴力黑幫片,新世紀以來,香港黑幫電影的現(xiàn)實化傾向具有特定的地域文化訴求。這種訴求具有現(xiàn)實意義,是香港對自身身份和本土文化的一種刻意強調(diào),也是香港黑幫電影區(qū)別于其他區(qū)域電影及類型的基礎。香港黑幫片通過暴力表達的現(xiàn)實化創(chuàng)作實現(xiàn)了與社會現(xiàn)實的對照。這一現(xiàn)實化傾向的暴力表達順應了香港社會的現(xiàn)實發(fā)展,并對黑幫電影的后續(xù)發(fā)展帶來啟示。
[Abstract]:Gangster film is the most characteristic film type in Hong Kong and plays an important role. The expression of "violent element" is not only the feature of the film type, but also an important means of spreading influence. Under the background of the return to the motherland, the financial crisis, and the signing of the CEPA Agreement ("arrangements for establishing a closer Economic Partnership") after the new century, the Hong Kong gangsters' texts have some new changes and characteristics compared with the past. The concrete means of violent expression have been explored and tried at a deeper level, and gradually formed a text appeal different from that of predecessors, and finally merged into a "new form" of Hong Kong gangster films in the new century. The most prominent manifestation of this new form is the emphasis on reality, including the emphasis on secular value and the realisation of the social formation in which the gang is located. The Hong Kong gangsters try to integrate their own and active features into the Hong Kong reality with a normal realistic technique. On the one hand, this reality emphasizes the reality and secularization of the characters, on the other hand, it emphasizes the authenticity of the background environment, and emphasizes the new expressive intention and aesthetic characteristics formed between the characters and their spatial relations. Different from the Romantic violent gangster film represented by Wu Yusen in the last century, since the new century, the realistic tendency of the Hong Kong gangster film has a specific regional cultural appeal. This appeal is of practical significance and is a deliberate emphasis on Hong Kong's identity and local culture. It is also the basis for Hong Kong's gangster films to be distinguished from other regional films and their types. The Hong Kong gangster film realized the contrast with the social reality through the realistic creation of the violent expression. This realistic expression of violence conforms to the development of Hong Kong society and brings enlightenment to the subsequent development of gangster films.
【學位授予單位】：華東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905
本文編號：2344671
[Abstract]:Gangster film is the most characteristic film type in Hong Kong and plays an important role. The expression of "violent element" is not only the feature of the film type, but also an important means of spreading influence. Under the background of the return to the motherland, the financial crisis, and the signing of the CEPA Agreement ("arrangements for establishing a closer Economic Partnership") after the new century, the Hong Kong gangsters' texts have some new changes and characteristics compared with the past. The concrete means of violent expression have been explored and tried at a deeper level, and gradually formed a text appeal different from that of predecessors, and finally merged into a "new form" of Hong Kong gangster films in the new century. The most prominent manifestation of this new form is the emphasis on reality, including the emphasis on secular value and the realisation of the social formation in which the gang is located. The Hong Kong gangsters try to integrate their own and active features into the Hong Kong reality with a normal realistic technique. On the one hand, this reality emphasizes the reality and secularization of the characters, on the other hand, it emphasizes the authenticity of the background environment, and emphasizes the new expressive intention and aesthetic characteristics formed between the characters and their spatial relations. Different from the Romantic violent gangster film represented by Wu Yusen in the last century, since the new century, the realistic tendency of the Hong Kong gangster film has a specific regional cultural appeal. This appeal is of practical significance and is a deliberate emphasis on Hong Kong's identity and local culture. It is also the basis for Hong Kong's gangster films to be distinguished from other regional films and their types. The Hong Kong gangster film realized the contrast with the social reality through the realistic creation of the violent expression. This realistic expression of violence conforms to the development of Hong Kong society and brings enlightenment to the subsequent development of gangster films.
【學位授予單位】：華東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905
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