【摘要】：自20世紀(jì)90年代早期開始,網(wǎng)狀敘事電影流行起來,成為當(dāng)代電影中一個(gè)重要的潮流。網(wǎng)狀敘事電影關(guān)注多主角、多敘事線及其間的聯(lián)系,且已經(jīng)發(fā)展出了種種有效的形式慣例和敘事技法。這種電影的崛起與當(dāng)代城市化與全球化的推進(jìn)、互聯(lián)網(wǎng)的流行、六度分隔理論等觀念的普及息息相關(guān)。從實(shí)踐來看,網(wǎng)狀敘事電影中最常用的是網(wǎng)狀犯罪故事、網(wǎng)狀愛情故事這兩種范式。網(wǎng)狀敘事是一種很有包容性和活力的形式,它能夠在電影的諸多層面上展示創(chuàng)新,這是其被廣泛運(yùn)用并獲得成功的關(guān)鍵。
[Abstract]:Since the early 1990s, reticular narrative films have become popular and become an important trend in contemporary movies. Network narrative films focus on multiple protagonists, multiple narrative lines and their connections, and have developed various effective formal conventions and narrative techniques. The rise of this kind of film is closely related to the popularization of modern urbanization and globalization, the popularity of the Internet and the six-degree separation theory. In practice, the network narrative film is the most commonly used network crime story, network love story these two paradigms. Network narrative is an inclusive and dynamic form, which can display innovation at many levels of the film, which is the key to its wide application and success.
【作者單位】： 南京大學(xué)文學(xué)院戲劇影視藝術(shù)系;
【分類號】：J905
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本文編號：2341466