【摘要】：本文基于動畫式紀錄片的藝術實踐進行研究。在自傳體記憶作品《番茄醬》的創(chuàng)作交流中,作者進行了動畫式紀錄片的結構實驗和符號性探索。動畫式紀錄片的研究關鍵在于重新思考其界定,探索其歷史。本文在縱向梳理動畫式紀錄片的發(fā)展脈絡時,也與東歐國家(捷克、波蘭、羅馬尼亞等國)此類型作品進行交叉對話,由此探索動畫式紀錄片如何發(fā)掘了記憶的異質性,諸如記憶的味道、色彩、隱喻及結構等,進一步深化了動畫式紀錄片相關議題的討論,即在動畫與記錄孰重孰輕的維度之外,引入了個體記憶與歷史敘述的角度。
[Abstract]:This paper is based on the art practice of animated documentary. In the creation and exchange of autobiographical memory work ketchup, the author has carried on the structure experiment and symbolic exploration of the animated documentary. The key of animation documentary research lies in rethinking its definition and exploring its history. While combing the development of animated documentary, this paper also has a cross-dialogue with Eastern European countries (Czech Republic, Poland, Romania, etc.) to explore how animation documentary explores the heterogeneity of memory. The taste, color, metaphor and structure of memory further deepen the discussion on the related issues of animation documentary, that is, the perspective of individual memory and historical narration is introduced in addition to the dimension of which is important to animation and record.
【基金】：“中央高校建設世界一流大學(學科)和特色發(fā)展引導專項資金”支持
【分類號】：J952

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