【摘要】：正以包頭市北梁棚戶(hù)區(qū)改造為藍(lán)本創(chuàng)作的電視劇《安居》,于2016年9月在央視一套播出后受到了社會(huì)的廣泛關(guān)注。劇中通過(guò)五人工作小組和八個(gè)拆遷家庭之間的矛盾沖突與互動(dòng),形象地展現(xiàn)了北梁居民實(shí)現(xiàn)安居夢(mèng)的艱辛過(guò)程,讓廣大觀眾首次具象化地走進(jìn)了拆遷和改造這一社會(huì)現(xiàn)實(shí)中,感受到拆遷、改造對(duì)于國(guó)家、城市發(fā)展建設(shè)和群眾安居樂(lè)業(yè)的深遠(yuǎn)意義。拆遷—這個(gè)當(dāng)代中國(guó)備受關(guān)注的民生話(huà)題也首次被電視藝術(shù)帶入到大眾視野中。
[Abstract]:The TV series "Anju", which is being transformed into the shantytown of Beiliang in Baotou City, has received wide public attention since it was broadcast on CCTV in September 2016. Through the contradictions, conflicts and interactions between the five-member working group and the eight families, the play vividly shows the arduous process of realizing the dream of living in peace for the residents of Beiliang, so that the majority of the audience will for the first time concretely enter the social reality of demolition and transformation. Felt the demolition, the transformation to the country, the city development construction and the masses live and work in peace and contentment profound significance. Demolition-a popular topic of public concern in contemporary China, has also been brought into public view for the first time by television art.
【作者單位】： 內(nèi)蒙古師范大學(xué)鴻德學(xué)院;
【分類(lèi)號(hào)】：J905
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本文編號(hào)：2339161