中國災難題材影視劇中傳統(tǒng)倫理的敘事策略
發(fā)布時間：2018-11-15 14:58
【摘要】：中國災難題材影視作品相比好萊塢式的災難影片，在技術上比較薄弱，特技場和視聽效果表現(xiàn)不足，但是，，這些絲毫不影響中國災難題材影視作品的發(fā)展和產(chǎn)量。國產(chǎn)災難題材影視作品開始逐漸走上屬于自己的發(fā)展之路——表現(xiàn)傳統(tǒng)倫理。 本文試圖從敘事和倫理的角度分析中國災難影片是如何通過敘事策略來表述傳統(tǒng)倫理的。 本文引言部分介紹了對中國災難題材影視作品倫理表述研究的需求，以及學術界對于中國災難片研究的概況、對于災難題材影視作品的界定，以及對中國災難題材影視作品做了分類，給予讀者一個研究背景和總概況的介紹；第一章主要介紹了研究中國災難題材影視作品倫理分析的理論來源、對于中國傳統(tǒng)倫理的界定，以及中國災難影片中的發(fā)展現(xiàn)狀和倫理意義，這些也是中國災難題材影視作品存在的理由和必要性；第二章和第三章從敘事結構模式、敘事元素的角度對中國災難題材影視劇中的傳統(tǒng)倫理做了文本分析，從而回答中國災難影片是如何表達“傳統(tǒng)倫理這一問題；第四章主要分析了中國災難影片的發(fā)展趨勢，逐步加強數(shù)字技術的運用，并保持和充分發(fā)揮中國災難影片的倫理特色。 通過這四章的分析與討論，本文試圖從敘事結構、元素、數(shù)字影像的角度回答中國災難片如何進行對于倫理親情的表述這一問題。
[Abstract]:Compared with Hollywood disaster films, China's disaster film works are relatively weak in technology, the performance of stunt field and audio-visual effect is insufficient, but these do not affect the development and production of China's disaster film and television works in any way. Domestic disaster theme film and television works began to gradually walk on their own way of development-the performance of traditional ethics. This paper attempts to analyze how Chinese disaster films express traditional ethics through narrative strategies from the perspective of narrative and ethics. The introduction of this paper introduces the demand for the ethical representation of Chinese disaster film and television works, as well as the general situation of the academic research on Chinese disaster film, and the definition of the disaster theme film and television works. As well as the Chinese disaster theme film and television works to do the classification, gives the reader a research background and the general situation introduction; The first chapter mainly introduces the theoretical sources, the definition of Chinese traditional ethics, and the development status and ethical significance of Chinese disaster films. These are also the reasons and necessity of the existence of China's disaster film and television works; The second and third chapters analyze the traditional ethics in Chinese disaster movies and TV dramas from the perspective of narrative structure and narrative elements, so as to answer the question of how Chinese disaster films express "traditional ethics"; The fourth chapter mainly analyzes the development trend of Chinese disaster film, strengthens the application of digital technology step by step, and maintains and gives full play to the ethical characteristics of Chinese disaster film. Through the analysis and discussion of the four chapters, this paper attempts to answer the question of how to express the ethical kinship of Chinese disaster films from the perspective of narrative structure, elements and digital images.
【學位授予單位】：云南師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
本文編號：2333619
[Abstract]:Compared with Hollywood disaster films, China's disaster film works are relatively weak in technology, the performance of stunt field and audio-visual effect is insufficient, but these do not affect the development and production of China's disaster film and television works in any way. Domestic disaster theme film and television works began to gradually walk on their own way of development-the performance of traditional ethics. This paper attempts to analyze how Chinese disaster films express traditional ethics through narrative strategies from the perspective of narrative and ethics. The introduction of this paper introduces the demand for the ethical representation of Chinese disaster film and television works, as well as the general situation of the academic research on Chinese disaster film, and the definition of the disaster theme film and television works. As well as the Chinese disaster theme film and television works to do the classification, gives the reader a research background and the general situation introduction; The first chapter mainly introduces the theoretical sources, the definition of Chinese traditional ethics, and the development status and ethical significance of Chinese disaster films. These are also the reasons and necessity of the existence of China's disaster film and television works; The second and third chapters analyze the traditional ethics in Chinese disaster movies and TV dramas from the perspective of narrative structure and narrative elements, so as to answer the question of how Chinese disaster films express "traditional ethics"; The fourth chapter mainly analyzes the development trend of Chinese disaster film, strengthens the application of digital technology step by step, and maintains and gives full play to the ethical characteristics of Chinese disaster film. Through the analysis and discussion of the four chapters, this paper attempts to answer the question of how to express the ethical kinship of Chinese disaster films from the perspective of narrative structure, elements and digital images.
【學位授予單位】：云南師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
【參考文獻】
相關期刊論文 前10條
1 余紀;數(shù)字化電影的寵兒——災難片的美學及相關問題[J];北京電影學院學報;2001年02期
2 劉俊娜;;由災難片、戰(zhàn)爭片反觀人類心理趨向[J];邊疆經(jīng)濟與文化;2007年01期
3 龍耘;注重宏觀把握 審視整體過程(下)——定性研究方法簡介[J];當代傳播;2000年06期
4 吳迪;敘事學分析:樣板戲電影的機制/模式/代碼與功能[J];當代電影;2001年04期
5 路春艷;對類型電影的認識[J];當代電影;2004年02期
6 沈國芳;構建類型電影的新觀念[J];當代電影;2005年05期
7 高莉敏;;“災難片”引發(fā)的對人與自然關系的思考[J];電影文學;2007年19期
8 黃俏;;生于憂患——歐美災難片的“生命意義”[J];電影文學;2008年21期
9 賈磊磊;災難帶給電影的是什么?[J];電影;2003年07期
10 桂青山;與世浮沉——類型片的理性認知與動態(tài)把握[J];電影藝術;2003年06期
本文編號：2333619
本文鏈接：http://www.sikaile.net/wenyilunwen/dianyingdianshilunwen/2333619.html
