中國諜戰(zhàn)題材電視劇中女間諜形象的嬗變
發(fā)布時間：2018-11-12 08:19
【摘要】：1981年《敵營十八年》拉開了諜戰(zhàn)題材電視劇的序幕,在之后將近三十年的道路中,諜戰(zhàn)題材作為比較特殊的電視劇類型,陪伴電視劇大家族共同走過無數個春夏秋冬。這一題材的電視劇在很多方面都呈現(xiàn)出巨大的變化,譬如角色設置、敘事方式、主題彰顯以及美學旨趣等。諜戰(zhàn)題材電視劇在這將近三十年的變化中,既反映出了大眾審美文化正在向多元化邁進,同時也展現(xiàn)出諜戰(zhàn)題材電視劇自身藝術魅力的雄渾壯魄。 近年來諜戰(zhàn)題材電視劇中,出現(xiàn)了越來越多的女間諜形象,并且這些曾經在劇中只是以配角出現(xiàn)的女性形象,如今也越來越多的成為劇中的主角。這些鮮活而又富有個性的女間諜形象,使女間諜這一角色成為劇中一道亮麗的風景,而不再是男性英雄主義的追隨者。這些諜戰(zhàn)題材電視劇不僅在電視劇類型上有新的閃光點,創(chuàng)作內容也更加富有內涵,將女間諜形象處于整個社會大變革背景下來進行描繪,而且加深了對女間諜人物性格、情感世界、內心感受、職業(yè)以外的生活等方面的描述。符號化的性別定位、模式化的職業(yè)特征、格式化的情感歷程,這些對女間諜形象的傳統(tǒng)描繪似乎在文藝作品中慢慢消退,使女間諜形象在性別立場和主體意識方面更加突現(xiàn),并且開始彰顯和突出女性的主體地位和自我力量。諜戰(zhàn)劇中女間諜的性別特征從缺位到凸現(xiàn)；形象從單一到豐富；職業(yè)從符號化到多元化；情感從依附到獨立,眾多方面都在改進,但在女性意識方面還沒有完全獨立,因此,如何使女間諜形象沖破傳統(tǒng)思想觀念的束縛,刻畫出更有深度與內涵的人物形象,塑造出更加真實、立體的女間諜形象,使女性意識在諜戰(zhàn)題材電視劇中真正的彰顯與體現(xiàn),這些都是值得探究的問題。人物是電視劇的靈魂,一部電視劇的成功與否大部分取決于人物形象塑造。中國諜戰(zhàn)題材電視劇中女間諜形象的研究,對諜戰(zhàn)題材電視劇整體的發(fā)展具有推動意義。
[Abstract]:In 1981, "18 years of enemy operation" opened the prelude of espionage drama. In the following 30 years, spy warfare as a relatively special type of TV series accompanied the TV series family through countless years of spring, summer, autumn and winter. The TV series on this subject shows great changes in many aspects, such as role setting, narrative mode, theme manifestation and aesthetic purport. The espionage TV series has changed for nearly 30 years, which not only reflects the diversity of aesthetic culture of the masses, but also shows the charm of espionage TV drama itself. In recent years, there have been more and more female spy characters in espionage TV dramas. These vivid and individual female spy characters, the role of female spy become a beautiful scenery in the play, no longer a follower of male heroism. These espionage TV dramas not only have new bright spots in the TV series types, but also have more connotations in their creative content. They depict the image of female spies in the context of the great changes in society as a whole, and deepen the character of the female spy characters. A description of the emotional world, inner feelings, life outside the profession, etc. The symbolic sex orientation, the stylized professional characteristics, the formatted emotional process, the traditional portrayal of the female spy image seems to fade slowly in the literary works, and the female spy image is more prominent in the gender standpoint and the subject consciousness. And began to highlight and highlight the main position of women and self-power. The sex character of female spy in spy drama is from absence to prominence, image from single to rich, profession from symbolization to diversity; Emotion from attachment to independence, many aspects are improving, but in the female consciousness is not completely independent, therefore, how to make the female spy image break through the shackles of traditional ideas, portray more depth and connotation of the character image, Creating a more real, three-dimensional female spy image, so that the female consciousness in espionage TV series really manifest and reflect, these are worthy of exploration. Characters are the soul of TV dramas, and the success of a TV play depends mostly on the portrayal of characters. The study on the image of female spy in Chinese espionage TV series is of great significance to the development of espionage TV series as a whole.
【學位授予單位】：山西大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
本文編號：2326579
[Abstract]:In 1981, "18 years of enemy operation" opened the prelude of espionage drama. In the following 30 years, spy warfare as a relatively special type of TV series accompanied the TV series family through countless years of spring, summer, autumn and winter. The TV series on this subject shows great changes in many aspects, such as role setting, narrative mode, theme manifestation and aesthetic purport. The espionage TV series has changed for nearly 30 years, which not only reflects the diversity of aesthetic culture of the masses, but also shows the charm of espionage TV drama itself. In recent years, there have been more and more female spy characters in espionage TV dramas. These vivid and individual female spy characters, the role of female spy become a beautiful scenery in the play, no longer a follower of male heroism. These espionage TV dramas not only have new bright spots in the TV series types, but also have more connotations in their creative content. They depict the image of female spies in the context of the great changes in society as a whole, and deepen the character of the female spy characters. A description of the emotional world, inner feelings, life outside the profession, etc. The symbolic sex orientation, the stylized professional characteristics, the formatted emotional process, the traditional portrayal of the female spy image seems to fade slowly in the literary works, and the female spy image is more prominent in the gender standpoint and the subject consciousness. And began to highlight and highlight the main position of women and self-power. The sex character of female spy in spy drama is from absence to prominence, image from single to rich, profession from symbolization to diversity; Emotion from attachment to independence, many aspects are improving, but in the female consciousness is not completely independent, therefore, how to make the female spy image break through the shackles of traditional ideas, portray more depth and connotation of the character image, Creating a more real, three-dimensional female spy image, so that the female consciousness in espionage TV series really manifest and reflect, these are worthy of exploration. Characters are the soul of TV dramas, and the success of a TV play depends mostly on the portrayal of characters. The study on the image of female spy in Chinese espionage TV series is of great significance to the development of espionage TV series as a whole.
【學位授予單位】：山西大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J905
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