【摘要】：西方恐怖片是廣泛發(fā)展的一個(gè)片種類型，還是在無聲電影的時(shí)期，就已經(jīng)開始出現(xiàn)了，隨著社會(huì)的發(fā)展，其敘事手法與風(fēng)格也在不斷調(diào)整和變化�？植离娪翱梢栽诟鱾�(gè)時(shí)期里流傳并經(jīng)久不衰的原因，除了與電影技術(shù)和電影特效應(yīng)用上的發(fā)展有關(guān)外，也有其深刻的社會(huì)文化原因�？植榔诮o人以視覺、聽覺上很多震撼的同時(shí)，往往也在不同程度的反映社會(huì)現(xiàn)實(shí)，引起人們很多思考。在以往對(duì)西方恐怖電影的研究中，電影學(xué)界對(duì)恐怖電影的研究偏向于從美學(xué)、心理學(xué)和影視學(xué)的角度出發(fā)來對(duì)恐怖電影做出闡釋。本文試圖從敘事手法與風(fēng)格角度出發(fā)，，從西方恐怖電影敘事的問題及意義、敘事手法的非線性時(shí)間因素和封閉性空間因素以及其背后的意義、西方恐怖電影的藝術(shù)風(fēng)格等部分，對(duì)西方恐怖電影進(jìn)行敘事手法與風(fēng)格分析。文章運(yùn)用了電影學(xué)、宗教學(xué)、美學(xué)、建筑學(xué)空間理論的有關(guān)知識(shí)，并結(jié)合大量的西方恐怖電影實(shí)例進(jìn)行了較為深入的探討。全文共分四部分，第一部分導(dǎo)論重點(diǎn)梳理了西方恐怖電影的發(fā)展脈絡(luò)，分析了各個(gè)時(shí)期代表性恐怖電影的典型特征；第二部分重點(diǎn)談到了西方恐怖電影的敘事及其問題，分析了其敘事風(fēng)格所呈現(xiàn)的娛樂性意義、內(nèi)在精神意義、審美意義以及社會(huì)意義；第三部分重點(diǎn)分析了西方恐怖電影的敘事手法，如非線性的敘事方法、封閉性空間因素及敘事文化背后所反映的社會(huì)焦慮問題；第四部分探討了西方恐怖電影的藝術(shù)風(fēng)格，分析了電影與宗教的關(guān)系、與生活的關(guān)系、與情感本能、文化體驗(yàn)的關(guān)系、表意風(fēng)格與審美呈現(xiàn)的關(guān)系等等。希望能通過這些分析，給相關(guān)研究和中國恐怖片的發(fā)展提供一定的參考和借鑒意義。
[Abstract]:Western horror film is a widely developed type of film, or in the silent film period, has begun to appear, with the development of society, its narrative techniques and style are constantly adjusting and changing. Horror films can be circulated in various periods and endure for a long time. Besides the development of film technology and the application of film special effects, there are also profound social and cultural reasons. Horror movies give people a lot of visual and auditory shock, but also often reflect the social reality in varying degrees, causing a lot of people to think. In the past researches on horror films in western countries, the researches on horror films in film circles tend to explain the horror films from the angles of aesthetics, psychology and film science. From the angle of narrative technique and style, this paper tries to analyze the problems and significance of narration in western horror film, the nonlinear time factor and closed space factor of narrative technique, the meaning behind it, the artistic style of western horror film, etc. The narrative techniques and style of the western horror films are analyzed. This paper makes use of the relevant knowledge of film, religion, aesthetics and architectural space theory, and discusses a lot of examples of western horror films. This paper is divided into four parts. The first part focuses on combing the development of the western horror film and analyzing the typical characteristics of the representative horror film in each period. The second part focuses on the narration of the western horror film and its problems, and analyzes the entertainment significance, inner spiritual meaning, aesthetic meaning and social significance of the narrative style. The third part focuses on the analysis of the narrative techniques of western horror films, such as nonlinear narrative methods, closed space factors and social anxiety problems reflected behind narrative culture; The fourth part discusses the artistic style of western horror film, analyzes the relationship between film and religion, between film and life, with emotional instinct, cultural experience, the relationship between ideographic style and aesthetic presentation and so on. Through these analysis, I hope to provide some reference and reference for related research and the development of Chinese horror film.
【學(xué)位授予單位】：武漢紡織大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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