電子媒介時代的認同與裂變
發(fā)布時間：2018-11-03 13:34
【摘要】：本文以電子媒介時代的認同為考察對象,選取以電視、電影為代表的播放型群體媒介和以自媒體為代表的雙向去中心化的電子媒介,從電子媒介帶來的生活場景變化、對主體塑造的影響入手,探察電子媒介的技術(shù)特征對人類敘事、認知的影響,以至造成了怎樣的認同裂變趨向。第一章探討以電視、電影為代表的播放型群體媒介所促成的認同,即通過電子媒介的影像加工,創(chuàng)造新的符號連結(jié),以想象化的虛擬體驗構(gòu)造的認同。首先區(qū)分了電視和電影在敘事和結(jié)構(gòu)上的不同特點,然后分析了影像消費的邏輯基礎(chǔ),指出影像消費是以“我不在場”為前提,進行的“我在場”的模擬。通過對影像中范例的模仿進行身份確認,這是一種自我證明式的反復敘事和認同再造。并從電子仿真的角度,分析電子媒介造成的新語言情境,認為其造成了去穩(wěn)定性的、理性被壓縮的主體,由此所構(gòu)建的認同,并非穩(wěn)定的自我歸屬意義,而是想象的存在。第二章考察以自媒體為代表的雙向去中心化媒介影響下的認同,即在媒介虛擬的相互獨立、分隔的生活空間里,通過符號和圖文與其他個體互動,完成多重身份的構(gòu)建與維持。首先通過對媒介更新造成的生活形態(tài)和體驗的分析,明確了個體在自媒體生活空間中身體物質(zhì)性的遮蔽和身份不斷變幻的特點。緊接著,試圖從身體影像的流變觀照人類認知中心的移動與分裂,認為電子媒介強大的模擬性打破了身份與身體的相互關(guān)聯(lián),虛擬空間中的身體影像是經(jīng)由技術(shù)表達的個體想象。其后,從精神空間的相互獨立和自我再現(xiàn)的面面迥異入手,探析自媒體所潛在的拆解與分裂邏輯,認為雙向去中心化的電子媒介改變了個體表達的方式和關(guān)注的重心,促使個體自我拆解,同時以編碼、拆解的邏輯來認知他人,促使主體成為分裂的人。第三章圍繞認同如何裂變和認同裂變的趨勢,從三個方面對電子媒介時代的認同作了梳理。一是從場景的角度,通過具體分析電子媒介的使用界面,論述了媒介對于人類經(jīng)驗的參與過程。由媒介技術(shù)支持的自我再現(xiàn)與加工,是個體認同分裂和離散的方式,主體成為多重的、去中心化的存在。二是從敘事的角度,探討電子媒介的更新造成的個體崛起和群體失語,個體敘事的爆炸帶來了豐富的道德民主的社會學想象,但同時也引出了關(guān)于媒介與主體關(guān)系的討論。三是從裂變的層面,從主體和場景的變化、認同構(gòu)造的趨勢對電子媒介時代的認同與裂變進行梳理,認為在電子媒介的促使下,認同正在從歸屬性認同向評價性認同發(fā)展,分裂是其必然的趨勢。
[Abstract]:In this paper, the identity of the electronic media era as the object of investigation, select television, film as the representative of the playing group media and self-media as the representative of two-way decentralization of the electronic media, from the electronic media brought about by the life scene changes. Starting with the influence of the shaping of the subject, this paper probes into the influence of the technical characteristics of electronic media on human narration and cognition, and even on the fission trend of identity. In the first chapter, the author discusses the identity promoted by the playing mass media represented by TV and film, that is, through the image processing of electronic media, creating new symbolic links, and identity constructed by imaginary virtual experience. This paper first distinguishes the different characteristics of narration and structure between TV and film, then analyzes the logical basis of image consumption, and points out that image consumption is a simulation of "I am present" on the premise of "I am not present". By imitating the examples in images, it is a self-proof narrative and identity reconstruction. From the perspective of electronic simulation, this paper analyzes the new linguistic situation caused by electronic media, and thinks that it creates a destable, rational compressed subject. The identity thus constructed is not a stable self-attribution, but an imaginary existence. The second chapter examines the identity under the influence of the bidirectional decentralized media represented by the self-media, that is, in the independent and separated living space of the media, the construction and maintenance of multiple identities is accomplished through the interaction of symbols and pictures and texts with other individuals. Firstly, through the analysis of the life form and experience caused by the media renewal, the author clarifies the characteristics of the individual's body material shielding and identity constantly changing in the media living space. Then, the author tries to observe the movement and division of human cognitive center from the change of body image, and thinks that the powerful analogue of electronic media breaks the relationship between identity and body. The body image in the virtual space is the individual imagination expressed by technology. Then, starting with the mutual independence of spiritual space and the differences of self-representation, the paper analyzes the logic of disassembly and division of self-media, and thinks that the two-way decentralization of electronic media has changed the way of individual expression and the focus of attention. At the same time, we can recognize others with the logic of coding and disassembly, and make the subject become a split person. The third chapter focuses on the fission of identity and the trend of identity fission, combing the identity of electronic media era from three aspects. First, from the point of view of scene, the paper discusses the process of media participation in human experience by analyzing the interface of electronic media. Self-reproduction and processing supported by media technology is the way of individual identity division and separation, and the main body becomes multiple, decentralized existence. Second, from the perspective of narration, it discusses the rise of individual and group aphasia caused by the renewal of electronic media. The explosion of individual narration brings rich sociological imagination of moral democracy, but also leads to the discussion about the relationship between media and subject. Thirdly, from the view of fission, from the change of subject and scene, the trend of identity structure combs the identity and fission of electronic media era, and thinks that identity is developing from attribute identity to evaluative identity under the promotion of electronic media. Division is its inevitable trend.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J902
本文編號：2307939
[Abstract]:In this paper, the identity of the electronic media era as the object of investigation, select television, film as the representative of the playing group media and self-media as the representative of two-way decentralization of the electronic media, from the electronic media brought about by the life scene changes. Starting with the influence of the shaping of the subject, this paper probes into the influence of the technical characteristics of electronic media on human narration and cognition, and even on the fission trend of identity. In the first chapter, the author discusses the identity promoted by the playing mass media represented by TV and film, that is, through the image processing of electronic media, creating new symbolic links, and identity constructed by imaginary virtual experience. This paper first distinguishes the different characteristics of narration and structure between TV and film, then analyzes the logical basis of image consumption, and points out that image consumption is a simulation of "I am present" on the premise of "I am not present". By imitating the examples in images, it is a self-proof narrative and identity reconstruction. From the perspective of electronic simulation, this paper analyzes the new linguistic situation caused by electronic media, and thinks that it creates a destable, rational compressed subject. The identity thus constructed is not a stable self-attribution, but an imaginary existence. The second chapter examines the identity under the influence of the bidirectional decentralized media represented by the self-media, that is, in the independent and separated living space of the media, the construction and maintenance of multiple identities is accomplished through the interaction of symbols and pictures and texts with other individuals. Firstly, through the analysis of the life form and experience caused by the media renewal, the author clarifies the characteristics of the individual's body material shielding and identity constantly changing in the media living space. Then, the author tries to observe the movement and division of human cognitive center from the change of body image, and thinks that the powerful analogue of electronic media breaks the relationship between identity and body. The body image in the virtual space is the individual imagination expressed by technology. Then, starting with the mutual independence of spiritual space and the differences of self-representation, the paper analyzes the logic of disassembly and division of self-media, and thinks that the two-way decentralization of electronic media has changed the way of individual expression and the focus of attention. At the same time, we can recognize others with the logic of coding and disassembly, and make the subject become a split person. The third chapter focuses on the fission of identity and the trend of identity fission, combing the identity of electronic media era from three aspects. First, from the point of view of scene, the paper discusses the process of media participation in human experience by analyzing the interface of electronic media. Self-reproduction and processing supported by media technology is the way of individual identity division and separation, and the main body becomes multiple, decentralized existence. Second, from the perspective of narration, it discusses the rise of individual and group aphasia caused by the renewal of electronic media. The explosion of individual narration brings rich sociological imagination of moral democracy, but also leads to the discussion about the relationship between media and subject. Thirdly, from the view of fission, from the change of subject and scene, the trend of identity structure combs the identity and fission of electronic media era, and thinks that identity is developing from attribute identity to evaluative identity under the promotion of electronic media. Division is its inevitable trend.
【學位授予單位】：華中師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J902
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