【摘要】：作為新世紀(jì)以來香港新一代女性導(dǎo)演的杰出代表,黃真真是一位"表面不自我,內(nèi)里很自我"的導(dǎo)演。不論純粹的港片,還是與內(nèi)地的合拍片,黃真真電影始終以愛情為殼、女性為核,審視表達(dá)女性意識與精神理念,在銀幕上努力探尋兩性的平衡之道。黃真真電影堅持虛構(gòu)與紀(jì)實的套層敘事和視覺風(fēng)格,采用紀(jì)錄片訪談、角色自拍、記錄式拍攝等手法,創(chuàng)造出別具一格的多重韻味和藝術(shù)探索性。
[Abstract]:As an outstanding representative of a new generation of female directors in Hong Kong since the new century, Huang Zhenzhen is a director who is "not self-conscious and self-conscious." Whether it is pure Hong Kong films or co-productions with the mainland, Huang Zhenzhen's films always take love as the shell, women as the core, examine and express the female consciousness and spiritual concept, and strive to find a way to balance the two sexes on the screen. Huang Zhenzhen's films adhere to the narrative and visual style of fiction and documentary, and use documentary interview, role selfie, recording shooting and other techniques to create a unique multi-flavor and artistic exploration.
【作者單位】： 北京師范大學(xué)藝術(shù)與傳媒學(xué)院;
【分類號】：J905

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