中國傳統(tǒng)文化中的“和合”理念在動畫創(chuàng)作上的運用
發(fā)布時間：2018-10-16 18:11
【摘要】：“和合”思想是中國傳統(tǒng)思想文化中被普遍接受和認同的人文精神,也是中國美學(xué)的主導(dǎo)精神,從古代至現(xiàn)代的中國藝術(shù)家們在創(chuàng)作中都深受該理念的影響�！昂秃稀崩砟畹恼w性、辯證性、有機性決定了它可以運用在不同時代不同類型的藝術(shù)創(chuàng)作中。動畫設(shè)計作為現(xiàn)代設(shè)計中重要的一部分,也發(fā)揮著日益突出的重要作用。將中國傳統(tǒng)美學(xué)理念合理運用在動畫設(shè)計中,可以讓動畫繼承和發(fā)揚傳統(tǒng)文化中的價值與精髓,提高人們對于傳統(tǒng)文化的認知與審美。同時也是中國動畫實現(xiàn)民族化的一種探索。在此前提下,研究“和合”理念在動畫創(chuàng)作上的運用有著重要意義。本文研究了中國傳統(tǒng)文化中“和合”理念在動畫設(shè)計上的運用,根據(jù)分析研究得出的理論指導(dǎo)實踐,將中國傳統(tǒng)美學(xué)理念與中國風(fēng)動畫相結(jié)合,創(chuàng)作了原創(chuàng)動畫作品《槐安夢》,從該實踐成果中展現(xiàn)了“和合”理念的運用。本文首先闡述了課題的研究背景和意義,并分析國內(nèi)外對此的研究現(xiàn)狀,在此基礎(chǔ)上,進一步提出課題的研究目的、研究內(nèi)容及方式。接著從中國傳統(tǒng)美學(xué)循序漸進地分析至中國的“和合”文化,并從不同角度闡釋“和合”理念,概述其在現(xiàn)代設(shè)計上的意義和作用,為實踐創(chuàng)作提供了理論依據(jù)。本文先從中國畫入手,分析中國傳統(tǒng)繪畫上對該理念的具體運用,并論述中國動畫對此的繼承與更迭。其后以運用“和合”理念最為典型的兩部動畫作品《山水情》和《牧笛》為例,從人物意象、鏡頭語言、思想內(nèi)涵、聲效編排上進行了詳盡的研究分析,以此來指導(dǎo)創(chuàng)作實踐。最后展現(xiàn)了原創(chuàng)動畫作品《槐安夢》的創(chuàng)作過程,分析“和合”理念在繪制手法、主題思想、造型設(shè)計、鏡頭語言上的具體運用。實踐結(jié)果表明,“和合”作為中國傳統(tǒng)美學(xué)的思想精粹,對動畫創(chuàng)作有著巨大的指導(dǎo)意義,是中國動畫實現(xiàn)民族化不可或缺的支撐。
[Abstract]:The thought of "harmony" is the humanistic spirit which is generally accepted and recognized in Chinese traditional ideology and culture, and is also the leading spirit of Chinese aesthetics. Chinese artists from ancient to modern times have been deeply influenced by this idea in their works. The unity, dialectics and organic nature of the concept of "harmony" determine that it can be applied to different types of artistic creation in different times. As an important part of modern design, animation design also plays an increasingly important role. The rational application of Chinese traditional aesthetic concept in animation design can allow animation to inherit and carry forward the value and essence of traditional culture and improve people's cognition and aesthetic appreciation of traditional culture. At the same time, it is also a kind of exploration of realizing nationalization of Chinese animation. Under this premise, it is of great significance to study the application of the concept of "he" in animation creation. This paper studies the application of the concept of "harmony" in Chinese traditional culture in animation design. According to the theory and practice obtained from the analysis and research, it combines the traditional Chinese aesthetic concept with the Chinese style animation. Created the original animation work, Huai an Dream, from the practical results to show the application of the concept of "he". In this paper, the research background and significance of the subject are first expounded, and the present situation of the research at home and abroad is analyzed. On the basis of this, the purpose, content and method of the research are put forward. Then it analyzes the Chinese "harmony" culture step by step from the Chinese traditional aesthetics, explains the concept of "harmony" from different angles, summarizes its significance and function in modern design, and provides a theoretical basis for practical creation. This article begins with the Chinese painting, analyzes the concrete application of this idea in the Chinese traditional painting, and discusses the inheritance and change of the Chinese animation. Then, taking the two animation works "Mountain and Water situation" and "Pastor" as an example, the author makes a detailed research and analysis from the aspects of character image, lens language, thought connotation and sound effect arrangement to guide the creative practice. Finally, it shows the creative process of the original animation "Dream of Huai'an", and analyzes the concrete application of the idea of "harmony" in drawing technique, theme thought, modeling design and lens language. The practical results show that as the essence of Chinese traditional aesthetics, "he" has great guiding significance for animation creation and is an indispensable support for the nationalization of Chinese animation.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J954;G122
本文編號：2275214
[Abstract]:The thought of "harmony" is the humanistic spirit which is generally accepted and recognized in Chinese traditional ideology and culture, and is also the leading spirit of Chinese aesthetics. Chinese artists from ancient to modern times have been deeply influenced by this idea in their works. The unity, dialectics and organic nature of the concept of "harmony" determine that it can be applied to different types of artistic creation in different times. As an important part of modern design, animation design also plays an increasingly important role. The rational application of Chinese traditional aesthetic concept in animation design can allow animation to inherit and carry forward the value and essence of traditional culture and improve people's cognition and aesthetic appreciation of traditional culture. At the same time, it is also a kind of exploration of realizing nationalization of Chinese animation. Under this premise, it is of great significance to study the application of the concept of "he" in animation creation. This paper studies the application of the concept of "harmony" in Chinese traditional culture in animation design. According to the theory and practice obtained from the analysis and research, it combines the traditional Chinese aesthetic concept with the Chinese style animation. Created the original animation work, Huai an Dream, from the practical results to show the application of the concept of "he". In this paper, the research background and significance of the subject are first expounded, and the present situation of the research at home and abroad is analyzed. On the basis of this, the purpose, content and method of the research are put forward. Then it analyzes the Chinese "harmony" culture step by step from the Chinese traditional aesthetics, explains the concept of "harmony" from different angles, summarizes its significance and function in modern design, and provides a theoretical basis for practical creation. This article begins with the Chinese painting, analyzes the concrete application of this idea in the Chinese traditional painting, and discusses the inheritance and change of the Chinese animation. Then, taking the two animation works "Mountain and Water situation" and "Pastor" as an example, the author makes a detailed research and analysis from the aspects of character image, lens language, thought connotation and sound effect arrangement to guide the creative practice. Finally, it shows the creative process of the original animation "Dream of Huai'an", and analyzes the concrete application of the idea of "harmony" in drawing technique, theme thought, modeling design and lens language. The practical results show that as the essence of Chinese traditional aesthetics, "he" has great guiding significance for animation creation and is an indispensable support for the nationalization of Chinese animation.
【學(xué)位授予單位】：湖北工業(yè)大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J954;G122
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