【摘要】：本文與導(dǎo)演張楊探討了《岡仁波齊》《皮繩上的魂》兩部影片的創(chuàng)作問題,從"尋找自我與精神救贖"、"創(chuàng)作突破與兩極探索"、"靈魂詰問與朝圣之旅"三個(gè)方面,梳理了張楊個(gè)人對(duì)于西藏的創(chuàng)作情結(jié),意即西藏作為一個(gè)具有精神屬性的地域所具有的救贖功能,分析了導(dǎo)演在兩部影片中所嘗試的兩極化創(chuàng)作方式與藝術(shù)突破,導(dǎo)演是在電影的朝圣道路上,借助影片進(jìn)行靈魂詰問。
[Abstract]:This paper discusses with director Zhang Yang the creation of the two films in "Gondjinpoche" Soul on Pierce ", from three aspects:" searching for self and spiritual salvation "," creation breakthrough and bipolar exploration "," soul questioning and pilgrimage ". Combing Zhang Yang's personal creative complex towards Tibet, meaning that Tibet has the function of redemption as a region with spiritual attributes, and analyzing the polarized creative ways and artistic breakthroughs attempted by the director in the two films. The director is in the movie's pilgrimage road, with the help of the film for soul questioning.
【作者單位】： 北京電影學(xué)院;
【分類號(hào)】：J905
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本文編號(hào)：2262410