【摘要】：紀(jì)錄片主要有紀(jì)實(shí)和虛構(gòu)兩種創(chuàng)作方法,依此紀(jì)錄片的影像系統(tǒng)可以分為紀(jì)實(shí)影像和虛擬影像兩類。近幾年,虛構(gòu)手法的多元化創(chuàng)作趨勢(shì)使虛擬影像在紀(jì)錄片中的地位得到了顯著提升,從演員扮演的“真實(shí)再現(xiàn)”藝術(shù)手法創(chuàng)造的虛擬影像到完全依靠計(jì)算機(jī)數(shù)字特技生成的虛擬影像,紀(jì)錄片的虛擬影像的應(yīng)用也伴隨了紀(jì)錄片一百年的歷史。本文以虛擬影像在紀(jì)錄片中的應(yīng)用為切入點(diǎn),以近些年來我國(guó)優(yōu)秀的人文歷史類紀(jì)錄片為參照,試圖追溯虛擬影像在人文歷史類紀(jì)錄片中應(yīng)用的背景因素、歷史原因,并著重分析虛擬影像新的真實(shí)觀、功能作用、應(yīng)用形態(tài)和創(chuàng)作原則,最后在此基礎(chǔ)上對(duì)未來人文歷史類紀(jì)錄片的虛擬影像應(yīng)用做出展望和預(yù)想。本文的論述主要圍繞以下六個(gè)方面：第一、闡述人文歷史類紀(jì)錄片的涵義和在我國(guó)的發(fā)展歷程,虛擬影像的基本范疇和發(fā)展軌跡；第二、分析紀(jì)錄片真實(shí)與虛擬影像的關(guān)系,并闡明虛擬影像所秉持的新的真實(shí)觀；第三、從影像史學(xué)、新歷史主義、影視媒介的角度分析人文歷史類紀(jì)錄片應(yīng)用虛擬影像的背景因素,然后接著指出在其中的功能作用。第四、總結(jié)數(shù)字特技在人文歷史類紀(jì)錄片中的主要應(yīng)用形態(tài),及使用時(shí)應(yīng)秉持的基本原則；第五、總結(jié)真實(shí)再現(xiàn)在人文歷史類紀(jì)錄片中的主要表現(xiàn)形式,及運(yùn)用時(shí)應(yīng)秉持的基本原則；第六、展望未來人文歷史類紀(jì)錄片中虛擬影像的發(fā)展趨勢(shì)。虛擬影像的應(yīng)用豐富了人文歷史類紀(jì)錄片的創(chuàng)作手法,使之呈現(xiàn)出多元化的創(chuàng)作趨勢(shì),同時(shí)使人文歷史類紀(jì)錄片呈現(xiàn)出前所未有的視覺奇觀,增強(qiáng)了觀眾的審美愉悅,拓展了影像表現(xiàn)的歷史時(shí)空,使敘事更加流暢,主題思想的表達(dá)更加完美。雖然現(xiàn)階段對(duì)于紀(jì)錄片虛擬影像的應(yīng)用還存在某些質(zhì)疑,但紀(jì)錄片創(chuàng)作者只要守住真實(shí)的底線,秉持?jǐn)?shù)字時(shí)代的新的真實(shí)觀,虛擬影像在人文歷史類紀(jì)錄片中的應(yīng)用就能夠?qū)崿F(xiàn)科技與人文的完美結(jié)合。
[Abstract]:There are two creative methods of documentary and fictional documentaries, according to which the documentary image system can be divided into documentary images and virtual images. In recent years, the trend of diversified creation of fictional techniques has greatly promoted the status of virtual images in documentaries. From the virtual images created by actors'"real reappearance" art techniques to the virtual images created by computer digital stunts, the application of documentary virtual images has been accompanied by the history of documentaries for one hundred years. Based on the application of virtual images in documentaries and the excellent documentaries of humanities and history in recent years, this paper tries to trace back the background factors and historical reasons of the application of virtual images in human history documentaries. It also analyzes the new reality view, function, applied form and creative principle of virtual image. Finally, the prospect and expectation of the application of virtual image in the future humanistic history documentary are made. This paper mainly focuses on the following six aspects: first, the meaning and development of humanistic and historical documentaries in China, the basic category and development track of virtual images; second, the analysis of the relationship between documentary reality and virtual images. Thirdly, the background factors of the application of virtual images in humanistic historical documentaries are analyzed from the perspectives of image history, new historicism and film and television media, and then the function of them is pointed out. Fourth, summarize the main application forms of digital stunts in the humanities and history documentaries, and the basic principles that should be adhered to when using them; fifth, summarize the main forms of expression of the true reappearance in the humanities and history documentaries. Sixth, the development trend of virtual images in humanities and history documentaries in the future is prospected. The application of virtual images enriches the creative techniques of the humanities and history documentaries, and makes them present a diversified creative trend. At the same time, the humanistic historical documentaries present unprecedented visual wonders and enhance the audience's aesthetic pleasure. It expands the historical space and time of image expression, makes the narration more smooth, and the expression of theme thought more perfect. Although there are still some doubts about the application of documentary virtual images at this stage, documentary creators only have to keep true bottom line and uphold the new concept of reality in the digital age. The application of virtual image in human history documentary can realize the perfect combination of science and technology and humanities.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J952

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本文編號(hào)：2238772