1980年代以來華語電影中的旗袍文化研究
[Abstract]:After the 1980s, the most visual expression of the Chinese films was the change of women's dress. The cheongsam represented the change of a class, the change of the female subject's identity and the change of the female's right to speak. Then it conveys the consciousness of female self-cognition and self-consciousness. Throughout the current study of Chinese films, the main domestic film studies have gradually neglected the role of clothing ideographic meaning and the connotation of hidden symbols. His theoretical works in the study of clothing is only to evaluate whether the dress conforms to the historical background of the film and the change of its manufacturing cost or style. Different from the Hollywood film mechanism, Chinese movies should pay more attention to entertainment, and should also know how to learn from the Western film division mechanism and pay attention to the detailed handling of props, makeup, clothing and accessories. To achieve commercial film freeze in each frame of the screen are impeccable visual presentation. Foreign countries work in this area perfect, near perfect, but lack of cultural connotation, still stay in the concept of female visual consumption. This paper discusses the culture of cheongsam in Chinese films since 1980's by synthesizing the theoretical knowledge of sports semiotics, feminist criticism, narratology and so on.
【學(xué)位授予單位】:南京師范大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2014
【分類號(hào)】:J905
【參考文獻(xiàn)】
相關(guān)期刊論文 前10條
1 彭紅;李彥昆;;菲林中的霓裳游行——探討張叔平的服飾美學(xué)觀[J];電影評(píng)介;2006年12期
2 蘇曉東;;服飾文化的角逐——簡析《滿城盡帶黃金甲》中的服飾元素運(yùn)用[J];電影評(píng)介;2007年11期
3 李川;;角色的雕琢——關(guān)于電影服飾對(duì)人物形象塑造問題的探究[J];電影評(píng)介;2007年24期
4 王博;石亮;;關(guān)于電影服裝服飾的探討[J];電影評(píng)介;2008年07期
5 王列;程妍妍;;華美、獰厲與單純的較量——《夜宴》服飾鑒賞[J];電影評(píng)介;2010年06期
6 危怡;;旖旎華裳為誰裁——略論旗袍在當(dāng)代中國電影中的再現(xiàn)與表現(xiàn)[J];電影評(píng)介;2011年09期
7 王珊珊;;電影文化與服裝設(shè)計(jì)的互為效應(yīng)[J];電影評(píng)介;2011年15期
8 王麗君;;被動(dòng)的藝術(shù) 服務(wù)的藝術(shù)——香港造型師奚仲文談電影美術(shù)設(shè)計(jì)[J];電影藝術(shù);2010年04期
9 車衛(wèi)東;唐怡;滕雪梅;;解讀影視作品中的服裝服飾[J];當(dāng)代電視;2011年05期
10 唐勇;;從女性意識(shí)角度看旗袍的興衰[J];華南師范大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2007年02期
,本文編號(hào):2234584
本文鏈接:http://www.sikaile.net/wenyilunwen/dianyingdianshilunwen/2234584.html