【摘要】：很早以前就有人提出過無論對于任何影片來說,節(jié)奏就是生命,而就動畫來說節(jié)奏更是存在于每一個環(huán)節(jié)的創(chuàng)作中。觀眾的情緒調(diào)動也見于動畫導(dǎo)演節(jié)奏的把握,所以通過實踐研究動畫節(jié)奏就等于從根本上去認(rèn)識動畫。在學(xué)習(xí)期間觀看大量的動畫短片和與之相關(guān)的文獻(xiàn)資料,發(fā)現(xiàn)并認(rèn)識到節(jié)奏對于動畫的重要作用,且每一個創(chuàng)作環(huán)節(jié)都存在無形的變奏美學(xué),通過對動畫創(chuàng)作中節(jié)奏的研究與興趣,和同時進(jìn)行的畢業(yè)設(shè)計創(chuàng)作,通過畢業(yè)設(shè)計動畫短片《床笫之撕》的創(chuàng)作過程,實踐和分析動畫短片中出現(xiàn)的各個節(jié)奏具有哪些作用,在創(chuàng)作心得中論證動畫節(jié)奏的意義。
[Abstract]:For a long time, it has been suggested that rhythm is life for any film, and rhythm exists in every aspect of the creation of animation. Audience emotional mobilization is also seen in the grasp of animation director rhythm, so studying animation rhythm through practice is tantamount to understanding animation fundamentally. Watching a large number of animated short films and related literature during the study period, we discover and recognize the important role of rhythm in animation, and there are invisible variation aesthetics in every creative link. Through the research and interest of the rhythm in the animation creation, and the concurrent graduation design creation, through the creative process of the graduation design animation short film "the tears of the bed", the author practices and analyzes the function of each rhythm appearing in the animation short film. In the creative experience to demonstrate the meaning of animation rhythm.
【學(xué)位授予單位】：吉林藝術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2016
【分類號】：J954

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1 宋筑文;《床笫之撕》中的動畫節(jié)奏實踐分析[D];吉林藝術(shù)學(xué)院;2016年

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