發(fā)布時(shí)間：2018-08-28 18:32

【摘要】：《駱駝祥子》中祥子故事發(fā)生的時(shí)代的虛擬性,為戲劇影視傳播帶來了不同的時(shí)代觀和時(shí)代背景的設(shè)置,而對于祥子生活的北平城里的空間定位,為戲劇影視傳播提供了人物生活環(huán)境的真實(shí)感、親切感;故事敘述的傳奇性為戲劇影視傳播提供了藝術(shù)接受的審美情趣;人物描寫的戲劇化,為戲劇影視傳播奠定了厚實(shí)的藝術(shù)基礎(chǔ),顯示小說在某種程度上與戲劇的溝通;北京風(fēng)俗的生動描述是小說走向戲劇影視傳播的藝術(shù)要素。
[Abstract]:The fictitious nature of the era in which Xiangzi's story takes place in "Xiangzi" has brought different views of the times and the setting of the background of the times for the spread of drama, film and television, and the spatial orientation of Xiangzi's life in the city of Peiping. It provides the realistic and intimate feeling of the characters' living environment for the drama film and television communication, the legend of the story narration provides the aesthetic sentiment of the art acceptance for the drama film and television communication, the dramatization of the character description, It lays a solid artistic foundation for the drama film and television communication, and shows that the novel communicates with the drama to some extent, and the vivid description of the Beijing custom is the artistic element of the novel to the drama film and television communication.
【作者單位】： 安徽師范大學(xué)文學(xué)院;
【分類號】：I207.42;J905

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