【摘要】：隨著互聯(lián)網(wǎng)的技術(shù)與產(chǎn)業(yè)的迅猛發(fā)展,文學(xué)與互聯(lián)網(wǎng)的“聯(lián)姻”越來越頻繁,網(wǎng)絡(luò)小說作為一個新的文化樣式呈現(xiàn)在大眾面前。網(wǎng)絡(luò)寫手來源的多樣性,以及網(wǎng)絡(luò)內(nèi)容的多元性為網(wǎng)絡(luò)小說的繁榮提供了堅實(shí)的基礎(chǔ)。2000年《第一次親密接觸》開啟了網(wǎng)絡(luò)小說影視化的大門,經(jīng)過十多年的發(fā)展,網(wǎng)絡(luò)小說在影視劇的舞臺上占據(jù)越來越重要的席位,網(wǎng)絡(luò)小說為影視傳播提供了豐富的題材,影視傳播使得網(wǎng)絡(luò)小說的存在樣式更加多元,因此網(wǎng)絡(luò)小說的影視傳播作為一種新的文化藝術(shù)現(xiàn)象值得學(xué)界予以充分的關(guān)注。本文首先以網(wǎng)絡(luò)小說影視傳播的背景作為切入點(diǎn),探討網(wǎng)絡(luò)小說影視傳播的內(nèi)在動因；然后從網(wǎng)絡(luò)小說影視傳播的歷程、傳者、途徑及其受者的角度來分析網(wǎng)絡(luò)小說影視傳播與接受,挖掘網(wǎng)絡(luò)小說影視傳播備受歡迎的根源所在；接著精選了若干網(wǎng)絡(luò)小說影視傳播的典型文本進(jìn)行分析,從內(nèi)容上探究其特殊的創(chuàng)作模式和藝術(shù)特征；最后從文化學(xué)的角度,進(jìn)一步深入思考和探討了網(wǎng)絡(luò)小說影視傳播中出現(xiàn)的有關(guān)擬態(tài)現(xiàn)實(shí)、女性主義和倫理道德等問題。
[Abstract]:With the rapid development of Internet technology and industry, literature and Internet "marriage" more and more frequent, network novel as a new cultural style in front of the public. The diversity of network writers and the diversity of network content provide a solid foundation for the prosperity of network novels. In 2000, the first intimate contact opened the door of film and television of network novels, and after more than a decade of development, The network novel occupies more and more important position in the stage of the film and television drama, the network novel has provided the rich subject matter for the film and television dissemination, the film and television communication causes the network novel to exist the style to be more diverse, Therefore, as a new phenomenon of culture and art, the film and television communication of network novel deserves the full attention of academic circles. This article first takes the network novel film and television communication background as the breakthrough point, discusses the network novel film and television dissemination intrinsic motive, then from the network novel film and television dissemination process, the propagandist, From the perspective of the channel and its receiver, this paper analyzes the transmission and acceptance of the film and television of the network novel, excavates the root of the popularity of the film and television communication of the network novel, and then selects some typical texts of the film and television communication of the network novel for analysis. Finally, from the perspective of culturology, the author makes a further study of the problems of pseudo reality, feminism and ethics in the spread of network novels.
【學(xué)位授予單位】：湖南師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：I207;J905

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本文編號：2185151