天堂国产午夜亚洲专区-少妇人妻综合久久蜜臀-国产成人户外露出视频在线-国产91传媒一区二区三区

當(dāng)前位置:主頁 > 文藝論文 > 影視論文 >

中國當(dāng)代戀愛指導(dǎo)劇研究

發(fā)布時間:2018-08-09 20:20
【摘要】:在產(chǎn)業(yè)化氛圍越來越濃郁的背景下,在多種文化共同引領(lǐng)下,規(guī)范的類型化發(fā)展,是推動中國影視產(chǎn)業(yè)發(fā)展的重要驅(qū)動力。近年來,以都市愛情為題材的中國影視劇,既繼承了傳統(tǒng)愛情片的某些類型模式,又表現(xiàn)出新的藝術(shù)特質(zhì),以及更加貼近時代性的審美特征。本文將此類以青年觀眾為細(xì)分市場的影視劇視為愛情片的一種亞類型,命名為“戀愛指導(dǎo)劇”。目前,學(xué)界對這一亞類型影視現(xiàn)象的研究幾乎處于空白,基于此種情況,本文旨在分析戀愛指導(dǎo)劇藝術(shù)特質(zhì)的特殊性,,以及其文化創(chuàng)意對中國類型片發(fā)展的引導(dǎo)作用。 本文通過理論和作品結(jié)合的分析方法,從內(nèi)涵界定、敘事策略、文化創(chuàng)意三個方面,深入闡述戀愛指導(dǎo)劇的特殊性。首先以類型片的研究方法,界定出中國當(dāng)代戀愛指導(dǎo)劇的內(nèi)涵:當(dāng)代戀愛指導(dǎo)劇是以青年觀眾為主要受眾,以都市男女對情感追求為主要題材,以個人成長經(jīng)歷為主要敘事線索,以情感慰藉和情感勵志為社會性價值的敘事類型影視劇。其次從敘事學(xué)的角度歸納出戀愛指導(dǎo)劇的敘事策略,戀愛指導(dǎo)劇采用“偶像敘事”、影像修辭對“浪漫敘事”的烘托以及“成長經(jīng)驗(yàn)”的分享等多種敘事策略完成敘事。最后用影像分析和文化創(chuàng)意研究的方法,結(jié)合具體影視劇文本,闡述并揭示戀愛指導(dǎo)劇的創(chuàng)意構(gòu)成和社會指導(dǎo)意義:戀愛指導(dǎo)劇通過有效選擇與敘述主題相關(guān)的系列事件,拓展敘事的戲劇效果,指導(dǎo)意義在于影響社會群體生活和大眾認(rèn)知,形成一種新的社會價值,是在用影像編織中國的當(dāng)代神話。對于戀愛指導(dǎo)劇的研究是為了豐富中國影視劇亞類型的創(chuàng)作,使類型劇更具有文化創(chuàng)意元素和商業(yè)高附加值。
[Abstract]:Under the background of more and more rich industrialization atmosphere, under the guidance of various cultures, the normative type development is an important driving force to promote the development of China's film and television industry. In recent years, Chinese movies and TV dramas with the theme of urban love have not only inherited some types of traditional love films, but also displayed new artistic characteristics, as well as more close to the aesthetic characteristics of the times. This article regards this kind of film and TV drama with young audience as a kind of subtype of romance, named "Love Guide Drama". At present, the academic research on this subtype of film and television phenomenon is almost blank. Based on this situation, this paper aims to analyze the particularity of the artistic characteristics of love guiding drama and the guiding role of its cultural creativity in the development of Chinese genre films. Through the analysis of theory and works, this paper expounds the particularity of love guiding drama from three aspects: connotation definition, narrative strategy and cultural creativity. First of all, it defines the connotation of Chinese contemporary love guidance drama with the research method of genre film: the contemporary love guidance drama is the main audience with young audience, and the main theme is the emotional pursuit of urban men and women. With personal growth experience as the main narrative clue, emotional comfort and emotional inspiration as the social value of the narrative type of film and television drama. Secondly, from the perspective of narratology, the narrative strategy of love guidance drama is summed up. Love guidance drama uses "idol narration", image rhetoric to "romantic narration", and "growing up experience" to share various narrative strategies to complete the narrative. Finally, with the method of image analysis and cultural creativity research, combined with the text of specific film and TV drama, the paper expounds and reveals the creative composition and social guiding significance of love guidance drama: through the effective selection of series events related to the narrative theme, the love guidance drama can choose a series of events related to the narrative theme effectively. To expand the dramatic effect of narration, the guiding significance lies in influencing the social group life and public cognition, forming a new social value, and weaving the contemporary myth of China with images. The purpose of the study of love guiding drama is to enrich the creation of subtypes of Chinese film and television drama, and to make it more cultural and creative and commercial with high added value.
【學(xué)位授予單位】:溫州大學(xué)
【學(xué)位級別】:碩士
【學(xué)位授予年份】:2013
【分類號】:J905

【共引文獻(xiàn)】

相關(guān)期刊論文 前10條

1 劉永杰;詹姆遜的后現(xiàn)代文化理論及其對我國社會主義大眾文化建設(shè)的啟示[J];安陽工學(xué)院學(xué)報;2005年02期

2 楊柳;;消解與惡搞的狂歡——國產(chǎn)小成本喜劇電影與青年亞文化[J];北京電影學(xué)院學(xué)報;2010年02期

3 李簡璦;;國產(chǎn)小成本喜劇電影文本特質(zhì)淺析[J];北京電影學(xué)院學(xué)報;2010年02期

4 張承宇;;作者抑或工匠——張愛玲的電懋劇本[J];北京電影學(xué)院學(xué)報;2011年02期

5 湯俊;馬華;;日本偵探動漫的發(fā)展與衍變[J];北京電影學(xué)院學(xué)報;2011年04期

6 楊曉林;;論迪斯尼愛情動畫電影的神經(jīng)喜劇模式[J];北京電影學(xué)院學(xué)報;2012年01期

7 韓琛;;中國新電影三十年:神話的興起與終結(jié)——關(guān)于第五代電影的文化反思與歷史重估[J];北華大學(xué)學(xué)報(社會科學(xué)版);2011年04期

8 李彥;李Y

本文編號:2175206


資料下載
論文發(fā)表

本文鏈接:http://www.sikaile.net/wenyilunwen/dianyingdianshilunwen/2175206.html


Copyright(c)文論論文網(wǎng)All Rights Reserved | 網(wǎng)站地圖 |

版權(quán)申明:資料由用戶1bcd3***提供,本站僅收錄摘要或目錄,作者需要刪除請E-mail郵箱bigeng88@qq.com