【摘要】：工業(yè)革命與兩次世界大戰(zhàn)注定讓二十世紀(jì)成為一個裂變的時代,人類物質(zhì)生活與精神領(lǐng)域發(fā)生了翻天覆地的變化。二十世紀(jì)20年代,歐美科幻電影中開始涌現(xiàn)關(guān)于反烏托邦精神的思考。電影直指社會中最根本的弊病,犀利地描繪了未來世界政治體制弊端、科技濫用可能帶來的危害以及環(huán)境污染、資源耗竭等,讓觀眾更加清醒地認(rèn)識我們生存的社會充滿了各種矛盾與問題,從而表達(dá)出對人類世界精神困境的關(guān)注。 復(fù)雜多變的政治、經(jīng)濟環(huán)境與反烏托邦思想的誕生息息相關(guān)。電影的反烏托邦色彩主題主要圍繞政治集權(quán)主義、高度專制主義、科技濫用與失控以及人類革命與自由的問題展開。其中最核心的理念是要通過這些主題的表達(dá),達(dá)到保持警惕、勸誡的作用。 歐美反烏托邦科幻電影中的主人公身上集合了英雄、智者與反思者三種形象的特征。他們或者曾經(jīng)孤獨、迷茫,看不清世界真實的模樣；他們或者是大都市中卑微的小人物,或者是被命運玩弄的小丑。但是他們最終醒悟過渡成為反烏托邦思想者,在混沌、黑暗的世界展開末世救贖。 反烏托邦色彩在電影的敘事風(fēng)格與視覺風(fēng)格上有其特別的呈現(xiàn)方式。敘事上,后現(xiàn)代主義復(fù)制、拼貼與非線性敘事手段為表達(dá)電影反烏托邦主題起到了巨大的幫助作用。低調(diào)攝影的手法、色彩的表意功能很好的營造了電影“黑色科幻”的影像風(fēng)格。 歐美科幻電影中的反烏托邦色彩充滿了哲學(xué)思辨色彩,深刻剖析人類為什么存在孤獨、荒誕、異化等狀態(tài)。電影充滿反思精神,試圖通過表達(dá)對未來世界的普遍擔(dān)憂提醒人們應(yīng)當(dāng)時刻保持警惕。
[Abstract]:The industrial revolution and the two world wars destined to make the twentieth century a fission era, and the material life and spiritual field of human beings have undergone earth-shaking changes. In the 1920s, the European and American sci-fi films began to reflect on the dystopian spirit. The film refers directly to the most fundamental maladies in society, and sharply depicts the drawbacks of the world political system in the future, the possible harm caused by the misuse of science and technology, and environmental pollution and depletion of resources, and so on. Let the audience more soberly understand that our society is full of contradictions and problems, thus expressing concern for the spiritual plight of the human world. The complicated and changeable political and economic environment is closely related to the birth of dystopian thought. The dystopian themes of the film mainly focus on the issues of political centralism, high autocracy, misuse and loss of control of science and technology, and human revolution and freedom. The core idea is to be vigilant and admonish through the expression of these themes. The protagonists in the utopian sci-fi movies in Europe and the United States have the characteristics of heroes, wise men and introspectors. They were lonely, confused, unable to see what the world really looked like; they were lowly little people in big cities, or clowns played by fate. But they finally wake up to become dystopian thinkers and end-world redemption in a chaotic, dark world. The dystopian color has its special presentation in the narrative and visual style of the film. In narration, post-modernism replication, collage and non-linear narrative means play an important role in expressing the dystopian theme of the film. Low-key photography techniques, color ideographic function is very good to create the film, "Black Science Fiction" image style. The dystopian color in American and European sci-fi films is full of philosophical speculation, which deeply analyzes why human beings exist loneliness, absurdity, alienation and so on. Full of introspection, the film tries to remind people of the need to remain vigilant by expressing widespread concerns about the future world.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

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