【摘要】：國產(chǎn)動(dòng)畫電影《大魚海棠》與迪士尼動(dòng)畫電影《海洋奇緣》兩部作品均以海洋背景展開故事主題,在影視素材與表現(xiàn)上引經(jīng)據(jù)典,巧妙糅合多元文化場(chǎng)域,汲取多種文化元素作為創(chuàng)作靈感,將歷史與當(dāng)下、傳統(tǒng)與現(xiàn)代、夢(mèng)想與現(xiàn)實(shí)、人性與神性兼容于動(dòng)畫世界中,揭示情與理、個(gè)體與族群、自然與人類的矛盾沖突,深刻反映動(dòng)畫與文化的關(guān)聯(lián)性和互動(dòng)性,以及多元文化之間的包容性和適應(yīng)性。本文試圖類比分析兩部作品與文化之間的互動(dòng)關(guān)系,探究文化重構(gòu)的結(jié)構(gòu)、層次及形式對(duì)于動(dòng)畫電影本體的深層影響作用,也為未來中國傳統(tǒng)文化影像化提供有益參考。
[Abstract]:The domestic animation film "Big Fish Begonia" and the Disney animated film "Ocean Wonderland" both develop story themes in the background of the sea, quote classics on film and television material and performance, and skillfully mix up the field of multicultural fields. Drawing on a variety of cultural elements as creative inspiration, the history and present, tradition and modern, dream and reality, human nature and divinity are compatible in the animation world, revealing the conflict between emotion and reason, individual and ethnic group, nature and human beings. It deeply reflects the relationship and interactivity between animation and culture, as well as the inclusiveness and adaptability between multiculturalism. This paper attempts to analogize and analyze the interaction between the two works and culture, explore the structure, level and form of cultural reconstruction to the deep impact of animation film Noumenon, but also provide a useful reference for the future image of traditional Chinese culture.
【作者單位】： 四川大學(xué)錦城學(xué)院;
【基金】：2016年四川省教育廳人文社科重點(diǎn)研究基地四川動(dòng)漫研究中心支助項(xiàng)目“中國動(dòng)漫語言的認(rèn)知語用研究”(項(xiàng)目編號(hào):DM201627)中期成果
【分類號(hào)】：J954

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