本文選題：美國(guó)電影 + 荒野題材��； 參考：《電影文學(xué)》2017年16期

【摘要】：早在啟蒙時(shí)代,盧梭就提出了用"回歸自然"來(lái)讓人類獲得靈魂的棲息地。在藝術(shù)作品中,荒野的身影也并未遠(yuǎn)去。美國(guó)電影中不乏涉及荒野生存經(jīng)歷的作品,其中不僅所展現(xiàn)的荒野景象各不相同,所蘊(yùn)含的主題也是豐富多元的。部分優(yōu)秀之作,其經(jīng)典之處就在于主創(chuàng)寄寓其中的思想具有多角度解讀的價(jià)值。文章從探求精神出路的傳奇主題、歌頌人類力量的勵(lì)志主題、追問(wèn)歷史真相的反思主題三方面,解讀美國(guó)荒野電影的多元主題。
[Abstract]:As early as the Enlightenment era, Rousseau proposed to "return to nature" to allow people to obtain the habitat of the soul. In the works of art, the shadow of the wilderness is not gone. In American films, there are many works about wilderness survival experience, which not only show different scenes of wilderness, but also contain rich and diverse themes. The classic of some excellent works lies in the value of multi-angle interpretation of the thought. This paper explores the legendary theme of spiritual outlet, the inspirational theme of eulogizing human power and the reflection theme of historical truth, and interprets the multiple themes of American wilderness film.
【作者單位】： 棗莊學(xué)院;
【分類號(hào)】：J905
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本文編號(hào)：2052002