本文選題：央視開年大戲 + 社會(huì)語(yǔ)境�。� 參考：《南京師范大學(xué)》2013年碩士論文

【摘要】：1998年,伴隨著《水滸傳》的熱播,央視開年大戲正式走進(jìn)人們的生活,在十五年里,十五部精品電視劇成功將央視開年大戲打造成為彰顯民族文化品格的電視品牌,引領(lǐng)著中國(guó)電視劇的創(chuàng)作潮流,并推動(dòng)中國(guó)電視劇的市場(chǎng)化進(jìn)程。如今,十五部央視開年大戲已經(jīng)成為人們標(biāo)識(shí)社會(huì)記憶的節(jié)點(diǎn),構(gòu)成人們認(rèn)識(shí)和了解中國(guó)社會(huì)發(fā)展變遷的新角度。因而,對(duì)這一獨(dú)特的電視文化現(xiàn)象進(jìn)行系統(tǒng)深入的梳理和研究至關(guān)重要。 本文從央視開年大戲這一獨(dú)特的電視文化現(xiàn)象整體出發(fā),以民族文化為基點(diǎn)展開分析。第一章為綜述,試圖從歷史傳承、發(fā)展脈絡(luò)以及社會(huì)語(yǔ)境三方面清晰全面地介紹央視開年大戲；第二章主要從敘事內(nèi)容的選擇、敘事手法呈現(xiàn)以及英雄形象塑造三個(gè)方面展開,探究央視開年大戲彰顯中國(guó)氣派的家國(guó)敘事編碼；第三章為文化層面的分析,抒寫中國(guó)情懷是央視開年大戲一直受觀眾追捧的重要原因,本章對(duì)文化情懷的分析主要放在對(duì)文化記憶的守望、跨越時(shí)代的家國(guó)文化命題以及無(wú)形中彰顯的生命魅力上；第四章主要分析央視開年大戲的社會(huì)功能和現(xiàn)實(shí)困境。 本論文綜合了哲學(xué)、美學(xué)、電影學(xué)、心理學(xué)、社會(huì)學(xué)、傳播學(xué)、人類學(xué)等多個(gè)學(xué)科方面的知識(shí),以電視劇文本分析為基礎(chǔ),展開對(duì)央視開年大戲系統(tǒng)深入的研究,以期彌補(bǔ)當(dāng)下央視開年大戲研究的空白。
[Abstract]:In 1998, with the popularity of "Water margin", CCTV's opening New year drama formally entered people's lives. In the past 15 years, 15 top-quality TV dramas have successfully established CCTV's opening New year drama as a television brand that demonstrates the national cultural character. Leading the creation trend of Chinese TV series, and promoting the marketization process of Chinese TV series. Nowadays, the 15th CCTV New year Opera has become the node of people's social memory, and constitutes a new angle for people to understand and understand the development and changes of China's society. Therefore, it is very important to make a systematic and deep research on this unique television cultural phenomenon. Based on the national culture, this paper starts from the unique TV cultural phenomenon of CCTV's New year drama. The first chapter is a summary, trying to introduce CCTV opening New year drama clearly and comprehensively from three aspects of historical inheritance, development context and social context; the second chapter mainly from three aspects of the choice of narrative content, narrative presentation and heroic image creation, the second chapter focuses on three aspects: the selection of narrative content, the presentation of narrative techniques and the creation of hero image. The third chapter is the analysis of culture level, expressing Chinese feelings is the important reason why CCTV opening New year drama has been sought after by the audience. In this chapter, the analysis of cultural feelings is mainly put on the cultural memory of the watch, across the times of home and country culture proposition and the invisible charm of life; the fourth chapter mainly analyzes the social functions and practical difficulties of CCTV opening New year drama. This paper synthesizes the knowledge of philosophy, aesthetics, film science, psychology, sociology, communication, anthropology and so on. In order to make up for the current CCTV New year drama research gaps.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

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本文編號(hào)：2017803