本文選題：大陸歷史劇 + 兩岸交流�。� 參考：《華東師范大學(xué)》2014年碩士論文

【摘要】：近幾年,大陸電視劇產(chǎn)銷兩旺,不僅火爆大陸熒屏,并在臺灣掀起收視熱潮,呈現(xiàn)出熱播熱議的狀態(tài)。其中,古裝劇作為具有歷史和電視劇雙重身份的特殊電視劇樣式,在與大陸有著同根傳統(tǒng)文化的臺灣較能引起共鳴。以古裝劇為主的大陸電視劇紛紛“登島”,占據(jù)了臺灣八點檔的銀屏,引起業(yè)界和學(xué)者的廣泛討論。較之于以往臺灣影視劇大量地輸入大陸,而大陸影視劇很少能夠傳播到臺灣的窘?jīng)r,如今被稱之為“陸流”傳播的“逆流”現(xiàn)象在臺灣逐漸成勢。 鑒于兩岸有著較為敏感的政治歷史背景,將電視劇這種意識形態(tài)的產(chǎn)物嵌套在臺灣的收視環(huán)境下,傳播效果會如何是本論文主要進(jìn)行闡述的方向。 緒論部分闡述了研究的動機(jī)與意義,對研究現(xiàn)狀進(jìn)行分類梳理,概述了研究的主要內(nèi)容。 第二章對大陸古裝劇在臺灣的播映史進(jìn)行回顧,重點闡述了近期的火爆情況。并以其在臺灣的收視情況作為輔助材料,對大陸古裝劇在臺灣的受歡迎進(jìn)行現(xiàn)象研究。 第三章從兩岸影視劇市場現(xiàn)狀、大陸影視制作水平、同根歷史文化視閾這幾個方面對熱播原因分別進(jìn)行比較探析。 第四章對影視作品中的解讀與誤讀問題進(jìn)行分析和探討,并對大陸古裝劇題材在當(dāng)今后現(xiàn)代新語境的變遷中所映射出的社會問題進(jìn)行現(xiàn)象評述。最后,對兩岸影視界互動發(fā)展的可能性及模式探討。 結(jié)語部分對課題研究中的啟示和反思進(jìn)行總結(jié),并對本課題的未來發(fā)展進(jìn)行了預(yù)測。
[Abstract]:In recent years, the production and marketing of mainland TV plays have been booming, not only on the mainland screen, but also in Taiwan, showing a state of hot debate. Among them, ancient costume drama, as a special TV drama style with dual identity of history and TV drama, can resonate in Taiwan, which has the same traditional culture as the mainland. Mainland TV dramas, which are mainly ancient costume dramas, have "landed on the island", occupying Taiwan's 8 o'clock screen, which has aroused extensive discussion among the industry and scholars. Compared with the previous Taiwan films and TV dramas imported into the mainland in large quantities, and the mainland TV drama rarely spread to Taiwan's predicament, now known as the "land current" spread of the "counter-current" phenomenon in Taiwan has gradually become more and more popular. In view of the sensitive political and historical background between the two sides of the Taiwan Strait, how to nest the products of the ideology of TV drama in the viewing environment of Taiwan is the main direction of this paper. The introduction explains the motivation and significance of the research, classifies the present research situation and summarizes the main contents of the research. The second chapter reviews the history of mainland costume dramas in Taiwan, focusing on the recent popularity. Based on the viewing situation in Taiwan, the phenomenon of the popularity of mainland costume dramas in Taiwan is studied. The third chapter compares the reasons of popular broadcasting from the current situation of cross-strait film and TV drama market, the level of film and television production in mainland China, and the same historical and cultural perspective. The fourth chapter analyzes and discusses the interpretation and misreading of film and television works, and comments on the phenomenon of the social problems reflected in the changes of the mainland's ancient costume drama subject matter in the modern post-modern context. Finally, the possibility and mode of the interactive development of film and television circles across the Taiwan Strait are discussed. The conclusion summarizes the enlightenment and reflection in the research, and predicts the future development of the subject.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J905

【參考文獻(xiàn)】

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本文編號：1957249