視點、動機與風格取向——《房間》與《3096天》的敘事對比
發(fā)布時間:2018-05-30 07:34
本文選題:視點 + 動機; 參考:《當代電影》2017年09期
【摘要】:《房間》自面世以來,收獲美國及歐洲幾大重要獎項的眾多榮譽,并受到廣泛好評!3096天》在題材上與《房間》類似,卻未受到輿論關注及獎項肯定。同為"禁閉"題材的兩部影片,在品質及內涵上緣何高下立判?本文通過對《房間》與《3096天》的敘事手法的對比,探析由真實社會事件改編的電影在敘事中的特質與藝術效果。
[Abstract]:Since its publication, the "Room" has received numerous honors from several important awards in the United States and Europe, and has been widely praised. < 3096 days > is similar in subject matter to "Room", but it has not been recognized by public opinion and awards. Why is the quality and connotation of the two films, which are the subject of "confinement", so high and down? By comparing the narrative techniques of "Room" and "3096 days", this paper explores the characteristics and artistic effects of films adapted from real social events in narration.
【作者單位】: 北京電影學院文學系;
【分類號】:J905
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本文編號:1954472
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