本文選題：表象環(huán)境論 + 環(huán)境作為主人�。� 參考：《當代電影》2017年09期

【摘要】：自然環(huán)境一直是電影分析的"空鏡頭""嵌入物",《小森林》的價值在于影片站在環(huán)境倫理的高度表達了土地是主,人是客的獨特立意。本文從電影敘事和影像分析的角度探討了影片的隱喻氣質和表象代表制,指出《小森林》農業(yè)景觀"如畫性"表象之下具有多重環(huán)境意識,同時重新闡釋了人與環(huán)境互文的家園含義。
[Abstract]:The natural environment has always been the "empty lens" and "embedded object" of film analysis. The value of "Little Forest" lies in that the film stands at the height of environmental ethics to express the unique idea that land is the main thing and man is the guest. This paper discusses the metaphorical temperament and representation system of the film from the angle of film narration and image analysis, and points out that there are many environmental consciousness under the "picturesque" appearance of "picturesque" in "small forest". At the same time, it reinterprets the meaning of intertextuality between man and environment.
【作者單位】： 天津財經大學人文學院;
【基金】：國家社科基金藝術學一般項目“電影中的環(huán)境意識流變研究”(項目編號:16BC037)的階段性研究成果
【分類號】：J905
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本文編號：1926864