本文選題：VR影像 + 發(fā)散性�。� 參考：《現(xiàn)代傳播(中國傳媒大學學報)》2017年06期

【摘要】：隨著VR時代的來臨,影視藝術與VR技術的"聯(lián)姻"已使得傳統(tǒng)影視從創(chuàng)作美學到接受美學都發(fā)生了天翻地覆的變革。技術革新往往推動藝術演進,VR技術也為傳統(tǒng)影視帶來了機遇和挑戰(zhàn)。VR影像敘事的創(chuàng)作美學具有"發(fā)散性"與"聚合性"的藝術特征;接受美學具有"自主性"與"自覺性"的藝術特征。當然,VR影像敘事也存在審美局限,因而亟待構建優(yōu)化路徑進行突圍。
[Abstract]:With the advent of VR era, the "marriage" of film and television art and VR technology has made the traditional film and television from creative aesthetics to reception aesthetics have undergone earth-shaking changes. The innovation of technology often promotes the evolution of art and VR technology also brings opportunities and challenges to the traditional film and television. The creative aesthetics of image narration of VR has the artistic characteristics of "divergence" and "convergence". Receptive aesthetics has the artistic characteristics of "autonomy" and "consciousness". Of course, VR image narrative also has aesthetic limitations, so it is urgent to construct an optimized path to break through.
【作者單位】： 中國傳媒大學藝術學部藝術研究院;
【分類號】：J901
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本文編號：1890830