本文選題：文化大革命 + 文化思潮�。� 參考：《陜西科技大學(xué)》2013年碩士論文

【摘要】：中國近代歷史一直是以政治為軸心在旋轉(zhuǎn)，政治局勢影響著甚至支配主宰著社會生命的各個方面，，從經(jīng)濟(jì)到文化，從生活到心理。而上世紀(jì)六、七十年代席卷中國的文化大革命（以下簡稱文革)，更是這種“政治泛濫”的一個具體時代顯影。文革一般被認(rèn)為是從1966年5月中央政治局?jǐn)U大會議的召開開始，以1976年“四人幫”反革命集團(tuán)的粉碎畫下了句點(diǎn)。這一場“觸及全中國人靈魂”的文化革命，在許多學(xué)者和歷史學(xué)家的剖析和記載下，都被呈現(xiàn)為中國的“十年浩劫”。它更被著名學(xué)者戴錦華稱為“死亡與戕害人類的魔舞”。 歷史，所扮演的角色便是抵抗時間的流逝去追溯過去的人與事，繼而賦予某一個過去時間永存的魅力。然而，一段被認(rèn)為造成浩劫毀滅的歷史，如何被經(jīng)歷過那段時光以及后世人們所感受、記載、書寫以及描繪，其實(shí)是非常值得探討的。電影，這個藝術(shù)的“第七個孩子”的誕生，豐富了人類對歷史的描述能力。電影并不因?yàn)樗且环N藝術(shù)而失去它描繪歷史的權(quán)力，它透過自身獨(dú)特的敘事話語空間和影像世界，名正言順的成為言說歷史的一個文本。電影給我們一種全新類型的歷史，更為我們呈現(xiàn)一個多層次的過去。 本論文主要是對1978年改革開放后所攝制的敘事背景有關(guān)文化大革命的電影進(jìn)行分析，探討這些影片里對文革的刻畫，試圖勾勒出這些文革再現(xiàn)與當(dāng)代中國文化情境的關(guān)聯(lián)性。自80年代以來，我國的文化情境已經(jīng)產(chǎn)生了頗多變化。這些文化情境及電影敘事的變徖筆者主要分為三個部分來闡述：第一部分為文革過后的整個80年代；第二部分為90年代后中國高速邁入全球化和市場經(jīng)濟(jì)化時期；第三部分為21世紀(jì)以來的文革題材電影創(chuàng)作。
[Abstract]:The modern history of China has been revolved on the axis of politics. The political situation affects and even dominates all aspects of social life, from economy to culture, from life to psychology. The Cultural Revolution, which swept China in the 1960s and 1970s, is a concrete manifestation of this "political flood". The Cultural Revolution was generally considered to begin with the opening of the enlarged meeting of the political Bureau of the CPC Central Committee in May 1966, and ended with the smashing of the Gang of four in 1976. This cultural revolution, which touches the soul of the whole Chinese people, has been presented as "ten years of catastrophe" by many scholars and historians. It is more famous scholar Dai Jinhua called "death and killing of mankind's magic dance." The role of history is to resist the passage of time to trace past people and events, and then endow a past time with lasting charm. However, it is worth exploring how a history that is believed to have caused havoc and destruction was experienced during that period and the feelings, records, writing, and depictions of later generations. Film, the birth of the seventh child of the art, enriches man's ability to describe history. The film does not lose its power to depict history because it is an art. It becomes a text of history through its own unique narrative discourse space and image world. Film gives us a new type of history, and we present a multi-level past. This paper mainly analyzes the narrative background of the Cultural Revolution made after the reform and opening up in 1978, discusses the depiction of the Cultural Revolution in these films, and attempts to outline the relevance between these reappearance of the Cultural Revolution and the contemporary Chinese cultural situation. Since 1980's, the cultural situation of our country has produced quite many changes. The author mainly divides into three parts: the first part is the whole 80's after the Cultural Revolution, the second part is the period of globalization and market economy after the 1990s. The third part is the film creation of the Cultural Revolution since the 21 st century.
【學(xué)位授予單位】：陜西科技大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J909.2

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