低碳喜劇研究
發(fā)布時間:2018-05-10 21:35
本文選題:高碳喜劇 + 低碳喜劇。 參考:《山東師范大學》2014年碩士論文
【摘要】:從當下影視藝術市場看,喜劇占了很大比重。縱觀這些作品,其質量“高度”卻遠遠不如其數(shù)量,呈現(xiàn)出普遍而嚴重的“泛低俗化、虛假化、泛自由化”等高碳趨勢,給社會大眾的身心健康造成了不同程度的損害。本文以“低碳美學”為理論基礎,以系統(tǒng)觀為考察研究材料的基本視角,以國內外眾多典型的喜劇影視藝術文本為研究材料,綜合運用實證研究、思辨研究、比較研究三種研究方法,對低碳喜劇進行研究。論文對當代喜劇影視藝術高碳化現(xiàn)象及成因進行分析,,并對低碳喜劇及其美學機制進行探討,以此提出低碳喜劇生產(chǎn)策略。 喜劇格局中呈現(xiàn)出“泛低俗化、虛假化、泛自由化”高碳趨勢,其文本主要特征可歸結為:色情化和虛假化。色情化表現(xiàn)為文本中大量色情元素的使用,容易激發(fā)沉浸型自由情感。高碳喜劇的本體特征是藝術虛假,具體表現(xiàn)為四種類型:一是美學創(chuàng)作理念上的謬誤或不當;二是喜劇文本的虛假,具體表現(xiàn)為敘事、影視語言、人物塑造、故事內容、主題價值的虛假;三是喜劇情感的虛假,即無笑可樂、生理機械式的笑。 低碳喜劇的審美價值就在于笑之真,即喜劇之真,它的本質特征是符合藝術真實,即直觀真實、超現(xiàn)實真實、客觀真實和主觀真實。喜劇之真具體表現(xiàn)為歡快明朗的大笑、輕松幽默的笑、含著淚的笑、沉思的笑、溫情的笑五種主要類型。 低碳喜劇文本的美學特征是藝術真實,分為直觀真實、超現(xiàn)實真實、主觀真實和客觀真實。其中,客觀真實是構成低碳喜劇的充分必要條件,它通過直觀真實、超現(xiàn)實真實和主觀真實等途徑來實現(xiàn),具體表現(xiàn)為:敘事上,敘事節(jié)奏緊湊、敘事結構安排合理、結局圓滿且合情合理;影視語言上,鏡頭語言運用豐富、聲音元素使用巧妙;喜劇人物喜劇性真實可感及喜劇情境設置合理巧妙、表演真實、語言臺詞喜劇色彩濃厚等,這些層面在符合直觀真實或主觀真實的同時,也實現(xiàn)了客觀真實。 低碳喜劇審美規(guī)律主要包括:一、處在審美中的審美主體處于意志高度自由的狀態(tài),觸發(fā)生理和心理兩個層面的反應;二、審美主體在低碳喜劇審美中充當“見證者”的身份。低碳喜劇產(chǎn)生的審美情感是一種伴隨著感性愉悅和理性滿足的笑,是一種陶冶型自由情感。 低碳喜劇的生產(chǎn)策略包括創(chuàng)作主體、敘事策略、語言、人物造型四個方面。創(chuàng)作主體要做好以下工作:一、端正的喜劇創(chuàng)作態(tài)度;二、以低碳喜劇美學理念作為創(chuàng)作指導;三、注重喜劇團隊建設;四、具備現(xiàn)實精神,發(fā)掘現(xiàn)實題材;五、增強思想功力,對人性具備深刻的洞察力。在敘事方面,低碳喜劇創(chuàng)作秉承直觀真實的敘事原則,具體表現(xiàn)為:在結構、主題、人物、節(jié)奏等方面的原則性把握;在敘事結構上,結合具體創(chuàng)作可借鑒柏格森情景滑稽式結構或一般傳統(tǒng)敘事結構;在敘事策略上可采用獨特的敘事視點、懸念、巧合、誤會、獨白、戲仿等手法進行低碳喜劇創(chuàng)作。在視聽語言上遵循直觀真實的原則,在畫面語言和聲音語言層面,其中又具體涉及鏡頭、剪輯和特效制作、人聲、音樂、音響等,達到感官上的愉悅。在人物塑造上符合直觀真實和客觀真實的原則,在合乎生活和人性真實的基礎上,深入發(fā)掘表現(xiàn)人物的不協(xié)調性。 總之,低碳喜劇遵循藝術真實的原則,將具體的喜劇笑點、敘事、情境、人物、表演、視聽語言等元素,實現(xiàn)直觀真實和主觀真實,進而達到深層的客觀真實,即人性真實,將外在感官和內在心理、感性與理性完美結合起來,從而給審美主體帶來感性愉悅和理性滿足,獲得一種陶冶型自由情感。
[Abstract]:On the basis of " low carbon aesthetics " , this paper analyzes the phenomena and causes of the high carbonization and the causes of low carbon comedy , and discusses the low carbon comedy and its aesthetic mechanism . This paper puts forward the strategy of low carbon comedy production .
In the comedy pattern , there is a trend of " pan - low , false and pan - liberalization " . The main features of the text can be attributed to pornography and false . The sex expression is the use of a large number of pornography elements in the text , and it is easy to arouse the free emotion of immersion . The main features of the high - carbon comedy are artistic false , and the concrete expression is four types : one is the fallacies or improper mistakes in the concept of aesthetic creation ;
The second is the falsity of the comedy text , the concrete expression is the narration , the film language , the character shaping , the story content , the false of the subject value ;
The third is the false feeling of comedy , that is , no laughing cola , physiological mechanical smile .
The aesthetic value of the low - carbon comedy lies in the truth of laughter , that is , the truth of comedy , its essential feature is that it conforms to the reality of art , that is , intuitive , real , objective , real and subjective .
The aesthetic characteristic of the low - carbon comedy text is the reality of art , which is divided into intuitional , real , subjective and objective reality .
In the video language , the lens language is rich , and the sound elements are skillfully used ;
The comedy characters comedy realistic feeling and comedy situation setting is reasonable and clever , the performance is true , the language line is very rich and so on , these levels are in conformity with the visual real or subjective reality , also realized objective reality .
The aesthetic law of low carbon comedy mainly includes : Firstly , the aesthetic subject in the aesthetic is in the state of free will , trigger the reaction between physiology and psychology ;
Second , the aesthetic subject acts as the " witness " in the aesthetic of the low - carbon comedy . The aesthetic emotion produced by the low - carbon comedy is a smile which is accompanied with emotional pleasure and reason . It is a kind of free emotion .
The production strategy of low - carbon comedy includes four aspects : creation subject , narrative strategy , language and human figure .
Secondly , using the concept of low carbon comedy as the guidance of creation ;
3.Pay attention to the construction of comedy team ;
fourthly , the realistic spirit is possessed , and the realistic subject matter is explored ;
Fifth , enhance the ideological power and have profound insight into human nature . In the aspect of narration , the low - carbon comedy creation is based on the intuitive and true narrative principle , which is characterized by the principle of structure , theme , character , rhythm and so on ;
On the narrative structure , combining with the specific creation can learn from the narrative structure of the son scene or the general traditional narrative structure ;
In the narrative strategy , a unique narrative point of view , suspense , coincidence , misunderstanding , monologue , play imitation and so on are adopted to create the low - carbon comedy .
In short , the low - carbon comedy follows the true principle of art , and makes the concrete comedy laugh point , narrative , situation , character , performance , audio - visual language and other elements to realize the visual and subjective reality , thus achieving the objective reality of the deep level , namely , the reality of human nature , combining the external sense and the inner psychology , the sensibility and the reason perfectly , thus bringing the perceptual pleasure and reason to the aesthetic subject to be satisfied , so as to obtain a kind of pottery and metallurgical free emotion .
【學位授予單位】:山東師范大學
【學位級別】:碩士
【學位授予年份】:2014
【分類號】:J905
【引證文獻】
相關碩士學位論文 前1條
1 張笑函;影視藝術低碳敘事研究[D];山東師范大學;2015年
本文編號:1870994
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