本文選題：我國微電影 + 生活化趨勢　； 參考：《浙江大學》2017年碩士論文

【摘要】：伴隨著科學技術(shù)的突飛猛進和文化產(chǎn)業(yè)的蓬勃發(fā)展,"微時代"應(yīng)運而生。微電影作為一支年輕的新生力量迅速地融入大眾生活,為人們所喜愛。在西方后現(xiàn)代主義思潮的影響下,我國微電影產(chǎn)業(yè)的發(fā)展逐年呈現(xiàn)出生活化趨勢。把握好微電影作品中的生活化現(xiàn)象,不僅能夠從藝術(shù)追求角度促進其創(chuàng)作價值,更能夠從受眾心理角度提高其審美享受。本文綜合運用編劇學、影視文學、藝術(shù)學、觀眾心理學等相關(guān)理論,系統(tǒng)的梳理了我國微電影生活化趨勢的發(fā)展歷程及產(chǎn)生的社會文化基礎(chǔ),并歸納總結(jié)出了我國微電影作品生活化現(xiàn)象的美學特征,最終從藝術(shù)價值和商業(yè)利益等角度對我國微電影作品的生活化創(chuàng)作提出了理論借鑒。
[Abstract]:With the rapid development of science and technology and the vigorous development of cultural industry, micro-era came into being. Micro-film, as a young new force, is quickly integrated into public life and is loved by people. Under the influence of western post-modernism, the development of micro-film industry in China is showing a trend of life year by year. Grasping the phenomenon of life in micro-film works can not only promote its creative value from the angle of artistic pursuit, but also enhance its aesthetic enjoyment from the psychological point of view of the audience. Based on the relevant theories of screenplay, film and television literature, art and audience psychology, this paper systematically combs the development process and the social and cultural basis of the trend of microfilm in China. And summarized the aesthetic characteristics of the phenomenon of life in micro-film works in China, and finally put forward the theoretical reference for the life creation of micro-film works in China from the angle of artistic value and commercial interests.
【學位授予單位】：浙江大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J905

【參考文獻】

相關(guān)期刊論文 前1條

1 崔兆倩;;淺析微電影的現(xiàn)狀及發(fā)展[J];新聞愛好者;2012年04期

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本文編號：1858764