本文選題：江青 + 電影傳播��； 參考：《福建師范大學(xué)》2014年碩士論文

【摘要】：“文革”時(shí)期的電影,因其與政治環(huán)境的緊密聯(lián)系,使其在整個(gè)中國(guó)電影史的研究范疇中屬于一個(gè)空間相對(duì)狹小的地帶。本文通過(guò)傳播學(xué)的視角切入電影研究,試圖對(duì)在強(qiáng)調(diào)電影的媒介屬性的基礎(chǔ)之上,完成一次對(duì)于“文革”時(shí)期電影的闡釋。本文所要研究的是江青在“文革”時(shí)期的哪些活動(dòng)對(duì)“文革”時(shí)期的電影傳播造成了什么樣的影響。在論述的過(guò)程中,本文以“文革”前的電影傳播為起點(diǎn),目的是揭示出“文革”時(shí)期的電影傳播格局形成的原因,從而在此基礎(chǔ)之上發(fā)現(xiàn)江青能夠介入這一格局當(dāng)中的“縫隙”。 從傳播學(xué)的視角研究電影,就是將電影視為媒介,既要明了它在整個(gè)社會(huì)系統(tǒng)當(dāng)中的位置,也要把握住作為媒介的電影本身就是一個(gè)系統(tǒng),正是基于以上的“兩個(gè)系統(tǒng)”的認(rèn)識(shí),本文將電影傳播劃分成了“宏觀層面”和“微觀層面”兩個(gè)范疇進(jìn)行闡釋。歸根結(jié)底,本文既不是單單討論“文革”時(shí)期電影的傳播,也不是只討論江青在這一時(shí)期在這一領(lǐng)域的種種行為,而是重點(diǎn)討論“影響”,即兩者之間的相互聯(lián)系。因此,文章將在盡可能細(xì)致的對(duì)江青的行為進(jìn)行分類的基礎(chǔ)之上討論“文革”電影中的哪些現(xiàn)象是由江青的行為造成的。
[Abstract]:The film of the "Cultural Revolution" period, because of its close relation with the political environment, makes it belong to a relatively narrow space in the study of the whole Chinese film history. From the perspective of communication, this paper attempts to complete an interpretation of the film during the Cultural Revolution on the basis of emphasizing the media attributes of the film. What this article wants to study is which activities of Jiang Qing in the Cultural Revolution period have caused what kind of influence to the film dissemination during the Cultural Revolution. In the process of discussion, this paper starts with the film communication before the "Cultural Revolution" in order to reveal the reasons for the formation of the film communication pattern during the "Cultural Revolution". Thus on this basis found Jiang Qing can intervene in this pattern in the "gap". To study film from the perspective of communication is to regard film as a medium. We should not only understand its position in the whole social system, but also grasp that the film as a medium itself is a system. Based on the above understanding of "two systems", this paper divides film communication into two categories: "macro level" and "micro level". In the final analysis, this paper not only discusses the spread of the film during the Cultural Revolution, nor just the various behaviors of Jiang Qing in this field during this period, but focuses on the "influence", that is, the interrelation between the two. Therefore, on the basis of classifying Jiang Qing's behavior as carefully as possible, the article will discuss which phenomena in the "Cultural Revolution" film were caused by the behavior of Jiang Qing.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J909.2

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