本文選題：物質(zhì)生存 + 物質(zhì)消費(fèi)　； 參考：《當(dāng)代電視》2017年12期

【摘要】：正中華戲曲有著悠久的歷史和獨(dú)特的藝術(shù)魅力,經(jīng)過(guò)數(shù)百年的生存與發(fā)展,已有了深厚的觀(guān)眾基礎(chǔ)。然而,隨著社會(huì)的發(fā)展和進(jìn)步,戲曲需不需要與時(shí)代同步,需不需要與其它藝術(shù)門(mén)類(lèi)相融合,從而走出一條適應(yīng)社會(huì)發(fā)展、適應(yīng)當(dāng)今觀(guān)眾審美需求的新路?今天我們已處于一個(gè)文化多元的時(shí)代、一個(gè)互聯(lián)網(wǎng)的時(shí)代,眾多的屏幕吸引著人們的眼球,而文化的消費(fèi)又不同于一般的物質(zhì)消費(fèi),它具有無(wú)限性、多樣性的特點(diǎn)。當(dāng)基本的物質(zhì)生存需求獲得滿(mǎn)足時(shí),人們的精神文化需求就會(huì)
[Abstract]:Chinese opera has a long history and unique artistic charm, after hundreds of years of survival and development, has a deep audience base. However, with the development and progress of society, opera needs to be synchronized with the times, need to be integrated with other categories of art, so as to find a new way to adapt to the social development and meet the aesthetic needs of today's audience? Today we are in a multi-cultural era, an era of the Internet, many screens attract people's attention, and the consumption of culture is different from the general material consumption, it has the characteristics of infinity and diversity. When the basic material needs of survival are met, people's spiritual and cultural needs will be met.
【作者單位】： 江蘇省演藝集團(tuán)影視中心;
【分類(lèi)號(hào)】：J951.2

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本文編號(hào)：1841711