發(fā)布時間：2018-04-20 00:14

  本文選題：日本電影 + 死亡美學�。� 參考：《重慶大學》2014年碩士論文

【摘要】：死亡作為生命的一部分而存在隨時準備著計量生命的長短，它引得哲學界、文學界、藝術界和宗教等紛紛探討關于存在的意義、死亡的虛無與生命的永恒。電影作為一個包容性強的藝術門類，以其獨特細膩的視聽特性像一面多棱鏡一般反映世間萬物百態(tài)。將死亡元素的融入不但能引發(fā)電影學獨特的藝術視角來揭露死亡本身的價值，，死亡意象有時還能作為提升電影的藝術審美價值的源動力。日本導演通過有意識的藝術創(chuàng)造來滿足對美的終極追求：死亡之美，將死亡帶來的恐懼轉化從而賦予美的詩意而溫存的表現方式，誘發(fā)人們對美的最高級形式的鑒賞，引導人們獲得精神家園的歸返，體會生命的存在意義和反思靈與肉的輕與重。 本文選取以死亡為主題或死亡意象所占比重較大的部分具有代表性的日本影視作品，就此類型影片作為單獨案例進行影片分析為主要研究方法，通過對作品中出現的死亡意象進行整合梳理，站在死亡美學的定義和范疇來挖掘影片中的美學價值并對其表現形式及意義進行分類梳理。根據死亡意象在電影中的基本功能作用分類為：敘事結構功能、作為電影符號的表意功能和審美功能。其中以表意和審美兩大功能作為對電影中的死亡意象的審美分析基礎，再根據電影的視聽特性，探索分析日本導演有意識的對死亡意象的形式化創(chuàng)作的視聽效果來揭示死亡誘發(fā)出的美與丑的對比審美。結合日本大和民族獨特而怪異的死亡文化作為背景分析，總結歸納出日本導演所揭示的民族根性和死亡觀，以及通過電影對死亡表象的模擬藝術中所采取的不同形式的審美分析，從而尋找出日本式的死亡美學，為研究電影中的死亡美學分析提供理性的結構式分析經驗。
[Abstract]:Death, as a part of life, is ready to measure the length of life at any time. It leads the philosophical, literary, artistic and religious circles to probe into the meaning of existence, the nothingness of death and the eternity of life. Film as an inclusive art category, with its unique and delicate audio-visual characteristics like a multi-prism generally reflects everything in the world. Not only can the integration of death elements lead to the unique artistic perspective of cinematology to reveal the value of death itself, but also the image of death can sometimes be used as the source of promoting the aesthetic value of film art. Japanese directors satisfy the ultimate pursuit of beauty through conscious artistic creation: the beauty of death, the transformation of the fear of death into the poetic and tender way of expression of beauty, and the appreciation of the highest form of beauty. To guide people to the return of spiritual homeland, to understand the significance of life and reflect the light and heavy of spirit and flesh. This paper selects the representative Japanese film and television works which take the death as the theme or the proportion of the death image as a large proportion, and the main research method is the film analysis of this type of film as a separate case. Through the combination of death images in the works, standing in the definition and category of death aesthetics to excavate the aesthetic value of the film and sort out its manifestation and significance. According to the basic function of death image in the film, it can be classified as narrative structure function, ideographic function and aesthetic function as movie symbol. Among them, the aesthetic analysis of the death image in the film is based on the two functions of ideographic and aesthetic, and then according to the audio-visual characteristics of the film, This paper explores and analyzes the audio-visual effects of Japanese directors' conscious creation of death images in order to reveal the aesthetic contrast between beauty and ugliness induced by death. Combined with the unique and strange death culture of the Japanese Daiwa people as the background analysis, summed up the Japanese director revealed the national root and death view, And through the different forms of aesthetic analysis in the simulated art of death representation, the author finds out the Japanese-style death aesthetics, and provides rational structural analysis experience for the study of the death aesthetics analysis in the film.
【學位授予單位】：重慶大學
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J905

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本文編號：1775373