本文選題：宮崎駿 + 角色塑造�。� 參考：《太原理工大學(xué)》2015年碩士論文

【摘要】：日本動(dòng)畫(huà)大師宮崎駿，這個(gè)名字對(duì)于我們而言并不陌生，他用獨(dú)特的敘述故事的方式與沉靜卻深遠(yuǎn)的宮崎式風(fēng)格，帶領(lǐng)著我們和劇中的角色一起成長(zhǎng)，從1968年的《太陽(yáng)王子霍爾斯大冒險(xiǎn)》到2008年的《崖上的金魚(yú)姬》，這十九部作品為導(dǎo)演帶來(lái)了動(dòng)畫(huà)大師的美名，也為日本動(dòng)畫(huà)界創(chuàng)下了許多奇跡。 宮崎駿的動(dòng)畫(huà)電影以別出心裁的手法塑造出許多個(gè)性立體的角色，在觀眾心中留下了十分深刻的印象，這些角色不僅成為成人和兒童共同分享的記憶，也使自身在故事的脈絡(luò)下得到鮮活的生命。一般而言，使角色立體的形塑手法不脫言語(yǔ)和動(dòng)作的范疇，宮崎駿顯然很擅長(zhǎng)把握這兩項(xiàng)特色，因此每有電影上映，總是能引發(fā)大眾對(duì)劇中角色的探究和討論。然而，在這些動(dòng)畫(huà)角色中，卻存在著一群不使用臺(tái)詞表達(dá)思想、情感的角色，觀眾無(wú)法透過(guò)話語(yǔ)感受他們的內(nèi)心世界，只能依靠其它動(dòng)畫(huà)元素進(jìn)行推敲，或許正因?yàn)檎J(rèn)識(shí)和了解的方式更聚焦于視覺(jué)的效果與感受，便產(chǎn)生不可取代的獨(dú)特魅力。本研究即欲針對(duì)宮崎駿形塑無(wú)臺(tái)詞角色的方式進(jìn)行探討，分析導(dǎo)演如何在作品中表現(xiàn)無(wú)臺(tái)詞角色的特性、功能以及其對(duì)動(dòng)畫(huà)領(lǐng)域的意義和貢獻(xiàn)。 本論文共分為六章.第一章緒論。陳述研究目的與意義、國(guó)內(nèi)外研究現(xiàn)狀、研究的方法、研究的內(nèi)容。第二章則進(jìn)行文獻(xiàn)探討，偏重前人相關(guān)研究論文和專著的回顧，，并整理日本動(dòng)畫(huà)發(fā)展、宮崎駿動(dòng)畫(huà)角色形塑的有關(guān)研究，作為后續(xù)角色分析的基礎(chǔ)。第三章與第四章為本文的重點(diǎn)部分，分別從無(wú)臺(tái)詞角色外型和功能兩個(gè)層面分析宮崎駿塑造角色個(gè)性的方式，探究無(wú)臺(tái)詞角色的魅力所在。第五章為結(jié)論，藉由總結(jié)各章論述，凸顯無(wú)臺(tái)詞角色的特色與價(jià)值，梳理此種角色類型對(duì)動(dòng)畫(huà)有何影響及貢獻(xiàn)，期望能豐富宮崎駿動(dòng)畫(huà)電影刻畫(huà)人物手法的內(nèi)涵，并為無(wú)臺(tái)詞角色找出在動(dòng)畫(huà)領(lǐng)域中的定位。第六章致謝。
[Abstract]:Japanese animation master MiyazakiHayao, the name is no stranger to us, with his unique storytelling style and quiet but profound Miyazaki style, led us and the characters in the play to grow up,From the Great Adventure of Prince Halls of the Sun in 1968 to the Golden Fish on the Cliff in 2008, these 19 works have brought the director the fame of a master animator, as well as many miracles for the Japanese animation world.MiyazakiHayao's animated films have created many three-dimensional characters in an ingenious way, leaving a deep impression on the audience. These characters not only become memories shared by adults and children alike.Also make oneself in the context of the story to get a fresh life.Generally speaking, MiyazakiHayao is very good at grasping these two characteristics, so every movie can always arouse the public to explore and discuss the characters.However, in these animated characters, there is a group of characters who do not use lines to express their thoughts and feelings, the audience can not feel their inner world through words, they can only rely on other animation elements to refine.Perhaps because the way of understanding and understanding is more focused on visual effects and feelings, it has irreplaceable unique charm.This study aims to discuss the ways in which MiyazakiHayao shapes the characters without lines, and analyzes the characteristics, functions, significance and contributions of directors in the field of animation.This thesis is divided into six chapters.The first chapter is introduction.The purpose and significance of the research, the present research situation, the research methods and the contents of the research are stated.The second chapter is the literature discussion, focusing on the previous related research papers and monographs review, and collate the development of Japanese animation, MiyazakiHayao animation role molding related research, as the basis of the follow-up role analysis.The third chapter and the fourth chapter are the key parts of this paper, respectively, from the two aspects of the role shape and function of the role, MiyazakiHayao's way of shaping character, explore the charm of the role without lines.The fifth chapter is the conclusion, by summing up each chapter, highlighting the characteristics and value of the character without lines, combing the influence and contribution of this character type to the animation, hoping to enrich the connotation of MiyazakiHayao animated film portraying the characters.And find out the position in the animation field for the character without lines.Chapter VI thanks.
【學(xué)位授予單位】：太原理工大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J954

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相關(guān)期刊論文 前10條

1 游智皓;宮崎駿奇幻世界初旅[J];北京電影學(xué)院學(xué)報(bào);2003年03期

2 [榭

本文編號(hào)：1770856