本文選題：麥家 + 諜戰(zhàn)影視劇　； 參考：《蘇州大學(xué)》2014年碩士論文

【摘要】：作為“新智力”小說的開創(chuàng)者，麥家在影視界也風(fēng)云江湖，改編劇無不收獲市場(chǎng)和口碑的雙重肯定。2005年《暗算》面世以來，麥家諜戰(zhàn)影視劇已播出六部：兩部諜戰(zhàn)片和四部諜戰(zhàn)劇。其中諜戰(zhàn)片《風(fēng)聲》、《聽風(fēng)者》分別改編自麥家小說《風(fēng)聲》和《暗算》，麥家以原著作者身份出現(xiàn)。同樣的還有改編自麥家小說《風(fēng)聲》的諜戰(zhàn)劇《風(fēng)聲傳奇》。在諜戰(zhàn)劇《暗算》、《風(fēng)語》、《刀尖上的行走》中，麥家則以原著作者兼編劇的雙重身份出現(xiàn)。 本文選擇麥家諜戰(zhàn)影視劇作為研究對(duì)象，運(yùn)用跨學(xué)科研究方式，從其小說與影視作品的對(duì)比出發(fā)，研究其小說創(chuàng)作的影視化風(fēng)格以及影視作品改編的重點(diǎn)和主要特征，，以此來揭示麥家影視作品收獲市場(chǎng)和口碑的成功之道。第一章主要闡明麥家諜戰(zhàn)影視劇研究的學(xué)術(shù)意義、文獻(xiàn)綜述以及研究方法。第二章主要梳理世界諜戰(zhàn)影視劇和中國(guó)諜戰(zhàn)影視劇的歷史發(fā)展。自1935年著名導(dǎo)演希區(qū)柯克懸念電影《三十九級(jí)臺(tái)階》上映，為后來間諜片和諜戰(zhàn)影視劇的發(fā)展奠定了一定的藝術(shù)創(chuàng)作基礎(chǔ)。隨著東西方冷戰(zhàn)開始到來世紀(jì)之交世界格局的轉(zhuǎn)變，世界諜戰(zhàn)影視劇也隨之進(jìn)入并再現(xiàn)不同的時(shí)代語境。1949年新中國(guó)成立后，從“反特片”興盛到新世紀(jì)諜戰(zhàn)影視劇的風(fēng)生水起，其在七十年的流變與發(fā)展中也無不體現(xiàn)著中國(guó)社會(huì)格局和文化發(fā)展及變遷。第三章主要論說麥家小說創(chuàng)作及其影視風(fēng)格形成。麥家長(zhǎng)期的軍旅生涯以及后期在電視臺(tái)做編劇的經(jīng)歷，一方面使他將密電等和諜戰(zhàn)相關(guān)的元素融于小說，另一方面，他小說中每一段文字描寫幾乎都如在運(yùn)用電影畫面，每一個(gè)章節(jié)的構(gòu)成又仿佛在遵循影視鏡頭的蒙太奇組合。在一定意義上來說，麥家小說的影視化風(fēng)格，奠定了他小說改編成影視劇的成功。第四章著重論述麥家小說到影視劇改編的重點(diǎn)與主要特征。麥家小說到影視作品改編，在保留故事基本框架和情節(jié)張力的基礎(chǔ)上，無論從情節(jié)設(shè)置、人物刻畫、主題表達(dá)上的改動(dòng)都較為明顯，但在敘事結(jié)構(gòu)上則有更多的繼承。第五章關(guān)于麥家諜戰(zhàn)影視劇成功的原因，其中重點(diǎn)分析麥家諜戰(zhàn)影視作品充分的類型化、對(duì)觀眾和市場(chǎng)需求的充分理解和尊重以及對(duì)觀眾心理節(jié)奏正確把握和情景氛圍的成功營(yíng)造等，有力論證了麥家諜戰(zhàn)影視作品的為何成功。
[Abstract]:As the pioneer of the novel "New Intelligence", the Mai family is also in the film and television world, and the writer has won both the market and the word of mouth.The McGonagall spy drama has been shown in six movies: two spy films and four spy dramas.Among them, the spy war film "wind" and "the listener" are adapted from the mai's novel "wind sound" and "secret calculation" respectively, and the mai family appears as the original writer.There is also a spy war drama, the Legend of the Wind, adapted from the McGonagall novel.In espionage, wind language, walking on the tip of the knife, McCla appears as the author and writer of the original.This article chooses the mai Jia spy war movie and TV drama as the research object, uses the interdisciplinary research method, from its novel and the movie and television work contrast, studies its novel creation film and television style and the film and television work adaptations the focal point and the main characteristic.In order to reveal the mai Jia film and television works harvest market and reputation of success.The first chapter mainly expounds the academic significance, literature review and research methods of the research on the mai-Jia espionage film and TV drama.The second chapter mainly combs the history development of the world espionage war movie and TV drama and the Chinese spy war movie and television drama.Since the famous director Hitchcock suspense film < 39 step "was released in 1935, it has laid a certain artistic foundation for the later development of spy films and espionage movies and espionage movies and TV dramas.With the beginning of the change in the world pattern at the turn of the century when the Cold War between the East and the West began to arrive, the world espionage movies and TV dramas also entered and reproduced different times. After the founding of New China in 1949, from the rise of "anti-special films" to the new century espionage and television dramas,It also reflects the social pattern and cultural development and vicissitude in 70 years.The third chapter mainly discusses the creation of Mai's novels and the formation of his film and television style.Mai's long military career and his later experience as a TV screenwriter made him blend the elements of espionage and espionage into the novel, on the one hand, and almost every paragraph of his novel, on the other hand, as if he were using a movie picture.The composition of each chapter seems to follow the montage combination of film and television footage.To a certain extent, the film and television style of Mai's novels established his success in adapting his novels to movies and TV dramas.Chapter four focuses on the key points and main features of the adaptation of Mai Jia's novels to movies and TV dramas.On the basis of keeping the basic frame and plot tension of the story, the changes in the plot setting, character portrayal and theme expression are obvious, but there is more inheritance in the narrative structure.The fifth chapter is about the reasons for the success of the mai Jia espionage movie and TV drama, which focuses on the analysis of the full typology of the mai Jia spy war films and TV worksThe full understanding and respect for the audience and market demand, the correct understanding of the audience's psychological rhythm and the successful construction of the scene atmosphere, etc.
【學(xué)位授予單位】：蘇州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J905

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