本文選題：悲劇色彩 + 家庭倫理題材電視劇�。� 參考：《黑龍江大學(xué)》2013年碩士論文

【摘要】：電視劇作為文化的產(chǎn)物，具有特殊的媒介性質(zhì)，家庭倫理題材電視劇作為當(dāng)代中國(guó)一個(gè)重要的敘事藝術(shù)，它鮮明的體現(xiàn)了中國(guó)的儒家傳統(tǒng)文化。它以家庭生活瑣事為主要內(nèi)容，以親倫情緣作為主要的情感體驗(yàn)，致力于弘揚(yáng)主流的社會(huì)價(jià)值觀。 面對(duì)社會(huì)的紛繁變化，家庭倫理題材電視劇逐漸從再現(xiàn)生活轉(zhuǎn)變到關(guān)注社會(huì)熱點(diǎn)，從主流意識(shí)的宣傳轉(zhuǎn)換到對(duì)于現(xiàn)實(shí)的批評(píng)和反思，從大團(tuán)圓的安慰美感轉(zhuǎn)化到悲劇美的審視。 本文就以家庭倫理題材電視劇的悲劇色彩為主要研究對(duì)象，通過對(duì)于悲劇色彩的界定，悲劇色彩在家庭倫理題材電視劇中的表現(xiàn)，悲劇色彩對(duì)于家庭倫理題材電視劇的影響等方面的論述，，探究家庭倫理題材電視劇中悲劇色彩的作用，以期為此課題建設(shè)拓展視野。
[Abstract]:As the product of culture , TV series has special media character , and the TV series of family ethics is an important narrative art of contemporary China . It embodies the traditional culture of Confucianism in China . It takes family life as the main content , as the main emotional experience , and devotes itself to carrying forward the mainstream social values .


Facing the social and social changes , the TV series of family ethics gradually changes from the reproduction life to the social hot spot , from the propaganda of the mainstream consciousness to the criticism and reflection of the reality , from the comfort of the reunion to the tragedy beauty examination .


This article focuses on the tragic color of the TV series of family ethics as the main research object . Through the definition of tragedy color , the expression of tragedy color in the TV series of family ethics , the influence of tragedy color on the TV series of family ethics , this paper probes into the role of tragedy color in the TV series of family ethics , with a view to expanding the field of view of the subject construction .

【學(xué)位授予單位】：黑龍江大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J905

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 彭國(guó)翔;合法性、視域與主體性——當(dāng)前中國(guó)哲學(xué)研究的反省與前瞻[J];江漢論壇;2003年07期

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