本文選題：動畫 + 今敏　； 參考：《山西師范大學》2017年碩士論文

【摘要】：日本動畫導演今敏是一位擅長于創(chuàng)設夢境、表現角色復雜精神層面、具有超現實主義精神的“非主流”動畫導演。他作為動畫導演共創(chuàng)作了五部動畫作品,其中四部動畫電影,一部電視動畫劇。今敏的作品中可窺見精神分析理論的影子,且深受意識流電影的影響,常以抽象的精神世界為著眼點,立足于描繪人類深不可測的意識領域,多用奇特、變幻的個人化鏡像語言為表現形式,賦予故事強烈的戲劇張力,懸念迭生。本研究主要以日本動畫大師今敏生前監(jiān)督制作的五部動畫作品為研究對象,依據精神分析法相關理論,從角色人格分析、視聽語言、敘事手法等方面解讀今敏作品中的夢境和意識幻境元素。今敏最初從事漫畫創(chuàng)作,出版過幾部漫畫作品,后師從日本動畫大師大友克洋。作為日本新一代動畫導演,今敏繼承了前輩們動畫創(chuàng)作的思想性,作品又極具個人風格,在日本動畫界起到了承前啟后的作用。他擁有豐富的閱片量,并善于學習電影的視聽技巧,這是他的作品中充滿電影感的重要原因。電影與夢有著天然的相似,通過梳理電影史上的夢境電影,總結不同時代、流派的夢境電影風格及特征。反觀今敏的夢境電影特色可知:今敏的動畫作品從內容到框架都是夢幻式的。他擅于運用自己對夢的經驗來結構電影,試圖用夢境、白日夢、幻想等一系列鏡頭語言,輔以夢境的相關理念和造夢機制講述故事,從而達到隱喻社會和哲學等方面的深層次含義。今敏的動畫作品不僅受前人影響,還具有超前的引領作用,對不少好萊塢大導演的創(chuàng)作產生過重要影響。在今敏的動畫作品中,夢境和意識幻境占有很大的比重,對夢境和意識幻境的刻畫可以有力的反映出角色在壓力和人格矛盾中的精神危機和內心掙扎。運用精神分析法相關理論,對今敏作品中的幾位主要角色進行人格解析,分析其角色人格矛盾沖突的深層原因。并通過對夢境案例的分析,來解析人物的夢境與潛意識關系。今敏的動畫作品時空自由灑練,虛實交錯,人物常常在現實、夢境和幻覺中穿梭,影片的敘述有強烈的“意識流”風格。通過對今敏作品中的敘事策略、藝術表現手法進行分析,解讀今敏動畫作品的敘事特征和藝術風格,認識今敏作品所蘊含的獨特藝術表現力。獨具個人風格的夢境元素貫穿在今敏作品的方方面面,意識與潛意識的交織影響、現實與夢幻的糾纏相融,給觀眾帶來冒險般的奇妙視聽感受,留下無盡的回味與思索空間。研究今敏及其動畫,對于拓寬我國動畫及電影的創(chuàng)作思路、深化動畫及電影創(chuàng)作的藝術表現手法、刻畫人物的精神世界都有非常大的幫助。
[Abstract]:Japanese animation director Kenmin is a "non-mainstream" animation director who is good at creating dreams, representing complex spiritual level of characters and surreal spirit.As an animation director, he created five animated works, including four animated films and a television animation play.In his works one can see the shadow of psychoanalysis theory, and deeply influenced by stream of consciousness movies, often focusing on the abstract spiritual world, based on depicting the unfathomable realm of human consciousness.The changing personal mirror language is the form of expression, which endows the story with strong drama tension and suspense.This study mainly focuses on five animations produced by Japanese animation guru Hyon Min before his death. According to the theory of psychoanalysis, the author analyzes the personality of the characters, audiovisual language, and so on.Narrative techniques and other aspects of the interpretation of the works of dream and consciousness fantasy elements.Hyun-min initially engaged in comic creation, published several comic books, after the Japanese animation master Dayouke Yang.As a new generation of Japanese animation director, Gimin inherits the ideological content of his predecessors' animation creation, and his works have a very personal style, which plays a role of connecting the past and the future in the field of Japanese animation.He has a lot of reading, and is good at learning the audiovisual skills of films, which is an important reason for the film sense in his works.The film and dream have the natural similarity, through combing the dream movie in the film history, summarizes the different times, the school dream movie style and the characteristic.On the other hand, we can see that the animation works are dreamlike from the content to the frame.He is good at structuring movies using his experience in dreams, trying to tell stories with dream, daydream, fantasy, and a series of lens language, supplemented by dream related concepts and dream making mechanisms.In order to achieve metaphorical social and philosophical aspects of the deep meaning.Jin Min's animation works are not only influenced by predecessors, but also have a leading role, which has had an important influence on the creation of many Hollywood directors.In the animation works of Jin Min, dream and consciousness fantasy occupy a large proportion. The portrayal of dream and consciousness fantasy can reflect the spiritual crisis and inner struggle of the character in the stress and personality contradiction.Based on the theory of psychoanalysis, this paper analyzes the personality of several main characters in Jin Min's works, and analyzes the deep causes of the conflict of their characters' personality.And through the analysis of dream cases, to analyze the relationship between the dream and the subconscious.Jin Min's animated works are freely practiced in time and space, with reality and reality crisscrossing, characters often shuttling through reality, dreams and hallucinations. The narration of the film has a strong "stream of consciousness" style.Through the analysis of the narrative strategy and artistic expression techniques in the works, this paper interprets the narrative characteristics and artistic style of the animation works, and recognizes the unique artistic expressive power contained in the works.The dream element with individual style runs through every aspect of his works, the intertwined influence of consciousness and subconscious, the entanglement of reality and dream, brings the audience a wonderful audio-visual feeling of adventure, leaving endless aftertaste and thinking space.The study of Jin Min and his animation is of great help to broaden the creative thinking of animation and film in our country, deepen the artistic expression of animation and film creation, and depict the spiritual world of characters.
【學位授予單位】：山西師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：J954

【參考文獻】

相關期刊論文 前4條

1 田瑩;;記錄白日夢——白日夢與電影創(chuàng)作[J];電影評介;2011年03期

2 趙冬梅;;兒童早期心理創(chuàng)傷對人格發(fā)展的影響[J];教育導刊(下半月);2010年02期

3 肖校存;;雅克·拉康的鏡像理論[J];知識經濟;2009年13期

4 李顯杰;;現實·夢幻·藝術——電影藝術與夢的本體比較之二[J];華中師范大學學報(哲學社會科學版);1989年02期

相關碩士學位論文 前2條

1 任雪;夢境和意識幻境電影的研究[D];南京師范大學;2012年

2 陳晨;虛幻與現實[D];華東師范大學;2011年

，

本文編號：1734317