發(fā)布時(shí)間：2018-04-06 05:20

  本文選題：韓國(guó)　切入點(diǎn)：鬼片　出處：《云南大學(xué)》2015年碩士論文

【摘要】：本文通過(guò)對(duì)韓國(guó)鬼片的分析,梳理出韓國(guó)鬼片發(fā)展的脈絡(luò)及特點(diǎn),著重探究女性成為鬼片主體的原因。通過(guò)對(duì)52部韓國(guó)鬼片的文本分析,發(fā)現(xiàn)韓國(guó)鬼片最鮮明特色是以女性作為主體,女鬼游蕩世間的主要目的是復(fù)仇,取材多源于社會(huì)現(xiàn)實(shí)。以核心家庭為主的韓國(guó)社會(huì),在家庭、職場(chǎng)中,女性難以處于權(quán)力中心,她們被邊緣化、物化,成為被欺凌者。然而,鬼片中將女性(女鬼)作為敘事主體,打破原有的男性英雄主義傳統(tǒng),通過(guò)超能力,使原本弱小的女性成為權(quán)力中心,由她來(lái)操縱游戲規(guī)則,大眾要臣服于這個(gè)規(guī)則之下,一旦越矩就會(huì)受到懲罰。 韓國(guó)鬼片以女性作為敘事主體,用虛構(gòu)的影像彰顯女性話(huà)語(yǔ)權(quán),女性被建構(gòu)為權(quán)力把持者。影視作品往往和現(xiàn)實(shí)相互呼應(yīng),鬼片中這樣的安排照應(yīng)韓國(guó)現(xiàn)實(shí)社會(huì)。身處儒家文化圈的韓國(guó)社會(huì),遵從嚴(yán)格的禮教規(guī)則,男女分工明確,各司其職。這樣的性別文化傳統(tǒng)不時(shí)滲透在日常生活的每個(gè)角落,家庭教育和學(xué)校教育強(qiáng)化這樣的身份認(rèn)同,同時(shí),女性時(shí)刻處于大眾的隱性監(jiān)視之下,“懲罰”對(duì)她們具有威懾力。在一個(gè)兩性地位不平等的國(guó)家,韓國(guó)傳統(tǒng)的民族性“恨”易在女性身上發(fā)酵。 作為大眾文化重要構(gòu)成部分的鬼片,遵從大眾文化生產(chǎn)的邏輯,以獲取利潤(rùn)為目的,通過(guò)制作熒幕奇觀(guān),獲取觀(guān)眾的視覺(jué)凝視,使觀(guān)眾獲得視覺(jué)快感。消費(fèi)社會(huì)之下,通過(guò)消費(fèi)女性的身體,商家和消費(fèi)者一起完成了一次視覺(jué)狂歡。現(xiàn)實(shí)生活中男性把持權(quán)力,主流意識(shí)形態(tài)維護(hù)男性霸權(quán),男性通過(guò)“霸權(quán)”氣質(zhì)向“共謀”性氣質(zhì)的轉(zhuǎn)變,收編這個(gè)體制的“反叛者”,并在鬼片中植入了這樣的觀(guān)點(diǎn)。 同時(shí),作為對(duì)外傳播的重要構(gòu)成部分,鬼片同韓劇一起走向世界。作為塑造國(guó)家形象“組合拳”的一部分,韓國(guó)鬼片體現(xiàn)韓國(guó)特色,與世界各國(guó)一爭(zhēng)高下。韓國(guó)鬼片融入民族文化,形成自己的特色,塑造韓式恐怖美學(xué)。這樣的設(shè)計(jì)很成功,韓恐短期內(nèi)崛起,橫掃國(guó)際市場(chǎng),形成一股強(qiáng)勁的韓流,再次風(fēng)靡世界。
[Abstract]:Based on the analysis of Korean ghost film, this paper analyzes the development of Korean ghost film and explores the reasons why women become the subject of ghost film.Through the text analysis of 52 Korean ghost films, it is found that the most distinctive feature of Korean ghost films is that women are the main body, the main purpose of female ghost loitering in the world is revenge, and most of the materials are derived from social reality.In a Korean society dominated by nuclear families, it is difficult for women to be in the center of power at home and in the workplace. They are marginalized, materialized and bullied.However, the ghost film takes the female (female ghost) as the narration subject, breaks the original male heroism tradition, through the super ability, causes the originally weak female to become the power center, lets her control the game rule.The public are subject to this rule and will be punished if they cross the line.Korean ghost film takes the female as the narration subject, uses the fictional image to show the female discourse right, the female is constructed as the power holder.Film and television works and reality often echo each other, ghost film in such arrangements to look after the real society in Korea.In the Confucian cultural circle of Korean society, comply with strict rules of etiquette, men and women a clear division of labor, their respective duties.Such cultural traditions of gender permeate every corner of daily life from time to time, family education and school education strengthen such identity, at the same time, women are always under the hidden surveillance of the public, "punishment" is a deterrent to them.In a country with unequal gender status, South Korea's traditional ethnic hatred is simmering on women.As an important part of popular culture, ghost film obeys the logic of mass culture production and aims at making profits. By making screen spectacles, it obtains the visual gaze of the audience and makes the audience get visual pleasure.Under the consumer society, through consuming the female body, the merchant and the consumer completed a visual carnival together.In real life, men hold power, mainstream ideology upholds male hegemony, men transform from "hegemonic" temperament to "conspiracy" sexual temperament, collect the "rebels" of this system, and implant such a view in ghost films.At the same time, as an important part of external communication, ghost films and Korean dramas go to the world.As a part of shaping the national image, Korean ghost film embodies Korean characteristics and competes with other countries in the world.Korean ghost film into national culture, forming its own characteristics, shaping the Korean aesthetics of terror.Such design is very successful, South Korean terror short-term rise, sweep the international market, form a strong Korean current, again popular around the world.
【學(xué)位授予單位】：云南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類(lèi)號(hào)】：J905

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本文編號(hào)：1718142