本文選題：手繪實(shí)驗(yàn)動(dòng)畫　切入點(diǎn)：視覺(jué)形態(tài)　出處：《湖北美術(shù)學(xué)院》2016年碩士論文

【摘要】：縱觀動(dòng)畫的發(fā)展歷史,動(dòng)畫的起源都是以實(shí)驗(yàn)動(dòng)畫的形式誕生,是動(dòng)畫發(fā)展的必經(jīng)之路。隨著數(shù)字化時(shí)代的進(jìn)步與發(fā)展,商業(yè)動(dòng)畫熱潮愈演愈烈,但實(shí)驗(yàn)動(dòng)畫以它獨(dú)特的視聽(tīng)語(yǔ)言、極具個(gè)性化的表達(dá)形式仍然受到很多人的喜愛(ài)和追捧。手繪實(shí)驗(yàn)動(dòng)畫是實(shí)驗(yàn)動(dòng)畫中最主要的一種表現(xiàn)形式,其具有很強(qiáng)的美學(xué)意義與藝術(shù)價(jià)值。視覺(jué)形態(tài)具有多樣性,被廣泛的運(yùn)用在實(shí)驗(yàn)動(dòng)畫中,而手繪實(shí)驗(yàn)動(dòng)畫是一種簡(jiǎn)短有力的藝術(shù)形式,敘事結(jié)構(gòu)不同于常規(guī)動(dòng)畫,往往是對(duì)某個(gè)主題進(jìn)行烘托渲染,或?qū)δ撤N視覺(jué)形式作創(chuàng)意表現(xiàn),因此需要更加別出心裁地去進(jìn)行創(chuàng)作。在如此自由的創(chuàng)作空間里,對(duì)視覺(jué)形態(tài)的創(chuàng)新研究,對(duì)更大限度的表達(dá)創(chuàng)作者的意圖和想象力發(fā)揮有著至關(guān)重要的作用。現(xiàn)如今步入科技時(shí)代,掀起數(shù)字化熱潮,視覺(jué)文化占據(jù)著主導(dǎo)地位,既促進(jìn)了人們便利的生活又潛移默化的影響著人們對(duì)事物認(rèn)知和審美的方向。不可置否的是,手繪實(shí)驗(yàn)動(dòng)畫的發(fā)展也更具有挑戰(zhàn)性。本文以基本視覺(jué)形態(tài)的點(diǎn)線面形式為切入點(diǎn),結(jié)合大量的手繪實(shí)驗(yàn)短片和個(gè)人創(chuàng)作經(jīng)驗(yàn)對(duì)如何將手繪實(shí)驗(yàn)動(dòng)畫和視覺(jué)形態(tài)的創(chuàng)意造型有機(jī)結(jié)合做了理性的研究和歸納,總結(jié)了視覺(jué)形態(tài)的創(chuàng)新研究方法,以期望達(dá)到對(duì)手繪實(shí)驗(yàn)動(dòng)畫的創(chuàng)意視覺(jué)研究有一定的參考價(jià)值的目的。
[Abstract]:Throughout the history of development of animation, animation of the origin are based on experimental animation in the form of birth, is the only way which must be passed of animation development. With the development of the digital era, commercial animation boom intensified, but the experimental animation with its unique audio-visual language, highly personalized expression still loved by many people and hand-painted experimental animation sought. Is one of the most important forms of experimental animation, which has a strong aesthetic meaning and artistic value. Visual form is diverse, widely used in experimental animation, and hand-painted experimental animal painting is a kind of short powerful artistic form, the narrative structure is different from the conventional animation, are often carried out on the romancing a topic, or creative performance of a visual form, so we need more to create new styles for creation. In this free creative space, the visual form The innovation of research, the intention of the creator and imagination plays a vital role on the expression of a greater extent. Now entered the era of science and technology, a digital boom, visual culture occupies a dominant position, which not only promotes the influence of convenience to people life and the subtle people of cognition and aesthetic can not set the direction. The development of hand-painted experimental animation, but also more challenging. In this paper, the basic form of visual point form as the starting point, combined with a large number of experimental films and hand-painted personal creation experience to do the research and summary of how rational hand-painted experimental animation and visual form of creative combination, summarizes the research methods of visual form in order to study the creative vision of hand-painted experimental animation has a certain reference value.

【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：J954

【參考文獻(xiàn)】

相關(guān)期刊論文 前1條

1 孫銳;;新媒體時(shí)代手繪動(dòng)畫的藝術(shù)特征[J];現(xiàn)代裝飾(理論);2014年10期

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本文編號(hào)：1711062