本文選題：賈樟柯　切入點(diǎn)：人文關(guān)懷　出處：《揚(yáng)州大學(xué)》2017年碩士論文

【摘要】：作為“第六代”導(dǎo)演的代表人物,賈樟柯從創(chuàng)作電影至今,一直堅(jiān)守著紀(jì)實(shí)的影像風(fēng)格和對現(xiàn)實(shí)生活的人文關(guān)懷,形成了自己獨(dú)特的藝術(shù)風(fēng)格,在當(dāng)代電影中獨(dú)樹一幟。伴隨電影體制的轉(zhuǎn)變和電影市場的發(fā)展以及時(shí)代的轉(zhuǎn)變和自身閱歷的增長,賈樟柯電影中的藝術(shù)風(fēng)格也發(fā)生了轉(zhuǎn)變。從被“禁拍”到享譽(yù)海內(nèi)外,賈樟柯電影藝術(shù)風(fēng)格的堅(jiān)守表現(xiàn)出他深厚的人文關(guān)懷,藝術(shù)風(fēng)格的轉(zhuǎn)變則表現(xiàn)出他對電影市場發(fā)展的關(guān)注。本論文以賈樟柯及其電影為主要研究對象,對賈樟柯的創(chuàng)作背景、理論來源進(jìn)行歸納分析,并根據(jù)電影作品的藝術(shù)特征對其電影創(chuàng)作階段進(jìn)行梳理與劃分。探索階段為賈樟柯之后的創(chuàng)作提供了經(jīng)驗(yàn)和方向,成熟階段是其電影風(fēng)格比較穩(wěn)定的階段,蛻變階段則是賈樟柯電影風(fēng)格中發(fā)生轉(zhuǎn)變的時(shí)期。賈樟柯電影風(fēng)格的轉(zhuǎn)變主要表現(xiàn)為敘事結(jié)構(gòu)由碎片化轉(zhuǎn)變?yōu)榘鍓K化,敘事空間由故鄉(xiāng)拓展到世界,創(chuàng)作話語由個(gè)人轉(zhuǎn)變?yōu)橹髁?主題從邊緣轉(zhuǎn)向大眾等。同時(shí)賈樟柯也通過對符號(hào)的運(yùn)用來表現(xiàn)時(shí)代變遷、人物命運(yùn)以及對文化的思考,并且開始在電影中融入商業(yè)元素,注重電影的藝術(shù)性與商業(yè)性的融合。本論文主要運(yùn)用文獻(xiàn)研究法與文本分析法等方法來研究賈樟柯電影藝術(shù)風(fēng)格中的堅(jiān)守與轉(zhuǎn)變的內(nèi)容,并結(jié)合當(dāng)代電影市場的發(fā)展現(xiàn)狀分析賈樟柯電影的營銷策略以及賈樟柯電影對當(dāng)代電影創(chuàng)作的影響。在電影產(chǎn)業(yè)快速發(fā)展的當(dāng)下,如何平衡好電影的藝術(shù)性與商業(yè)性,不僅是電影市場面臨的問題,也是導(dǎo)演在創(chuàng)作中需要思考的問題。
[Abstract]:As the representative figure of the sixth generation director, Jia Zhangke has always adhered to the documentary image style and humanistic concern for real life since he created the film, and formed his own unique artistic style, which is unique in contemporary movies.With the change of film system, the development of film market, the change of times and the growth of one's own experience, the artistic style of Jia Zhangke's films has also changed.From being banned to enjoying fame at home and abroad, Jia Zhangke's adherence to his artistic style shows his deep humanistic concern, while the change of artistic style shows his concern for the development of the film market.This thesis takes Jia Zhangke and his films as the main research object, induces and analyzes Jia Zhangke's creative background and theoretical sources, and combs and classifies the stage of his film creation according to the artistic characteristics of his film works.The exploration stage provides the experience and direction for Jia Zhangke's later creation, the mature stage is the stable stage of his film style, and the metamorphosis stage is the period in which Jia Zhangke's film style changes.The transformation of Jia Zhangke's film style mainly shows that the narrative structure has changed from fragmentation to block, the narrative space has been expanded from hometown to the world, the creative discourse has changed from individual to mainstream, and the theme has shifted from the edge to the public and so on.At the same time Jia Zhangke also through the use of symbols to express the changes of the times the fate of characters and cultural thinking and began to incorporate commercial elements in the film focusing on the artistic and commercial integration of film.This thesis mainly uses the methods of literature research and text analysis to study the content of the sticking and changing of Jia Zhangke's film art style.Combined with the development of contemporary film market, this paper analyzes the marketing strategy of Jia Zhangke film and the influence of Jia Zhangke film on contemporary film creation.With the rapid development of the film industry, how to balance the artistic and commercial aspects of the film is not only a problem facing the film market, but also a problem that directors need to think about in their creation.
【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J911

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