發(fā)布時(shí)間：2018-04-02 19:01

  本文選題：國(guó)產(chǎn)諜戰(zhàn)劇　切入點(diǎn)：主題　出處：《南京航空航天大學(xué)》2013年碩士論文

【摘要】：諜戰(zhàn)題材的影視作品最早出現(xiàn)在1949年后的十七年電影中，電視劇《敵營(yíng)十八年》（1981）的播出，使諜戰(zhàn)題材第一次走上電視熒屏。經(jīng)過(guò)一段時(shí)間的沉寂后，諜戰(zhàn)題材的影視作品在新世紀(jì)重新回到了觀眾視野，并以強(qiáng)勁的勢(shì)頭不斷發(fā)展壯大，呈現(xiàn)出許多優(yōu)秀作品。新世紀(jì)以來(lái)的諜戰(zhàn)劇在藝術(shù)手法上取得了諸多創(chuàng)新：首先，主題在頌揚(yáng)英雄主義和堅(jiān)守信仰的同時(shí)增加了對(duì)人物成長(zhǎng)歷程的關(guān)注；其次，在人物形象方面，塑造了具有鮮明特點(diǎn)的女性形象，這些女性形象在諜戰(zhàn)劇中起著陪襯主角和補(bǔ)充劇情的重要作用；再次，新世紀(jì)以來(lái)的諜戰(zhàn)劇在情節(jié)的安排上進(jìn)行了更多的探索，形成了屬于諜戰(zhàn)劇的敘事風(fēng)格。適時(shí)地對(duì)諜戰(zhàn)劇的發(fā)展現(xiàn)狀進(jìn)行梳理，并總結(jié)該類電視劇的創(chuàng)作經(jīng)驗(yàn)，，有著重要的意義。針對(duì)目前的諜戰(zhàn)劇作品以及研究現(xiàn)狀，本文將國(guó)產(chǎn)諜戰(zhàn)劇作為類型劇之一，對(duì)國(guó)產(chǎn)諜戰(zhàn)劇進(jìn)行了一次全面的分析和梳理。本論文的組織架構(gòu)如下：第一部分緒論，概述選題背景，總結(jié)概括學(xué)界目前對(duì)國(guó)產(chǎn)諜戰(zhàn)劇的研究現(xiàn)狀；第二部分對(duì)諜戰(zhàn)劇進(jìn)行概念界定，并對(duì)其發(fā)展現(xiàn)狀進(jìn)行概述；第三部分針對(duì)諜戰(zhàn)劇中所傳達(dá)出的弘揚(yáng)英雄主義，堅(jiān)守信仰情操，勾勒個(gè)體成長(zhǎng)，影射當(dāng)今職場(chǎng)四個(gè)主要主題進(jìn)行分析；第四部分選取具有代表性的女性人物，分析其特征以及作用；最后，以《黎明之前》為例，對(duì)諜戰(zhàn)劇的敘事情節(jié)進(jìn)行分析。
[Abstract]:The film and television works of spy war first appeared in the seventeen years after 1949, and the TV series "18 years of enemy operation" was broadcast in 1981, which made the espionage theme appear on TV for the first time.After a period of silence, the film and television works of espionage come back to the audience in the new century, and with the strong momentum of development and growth, showing a lot of excellent works.Since the new century, espionage dramas have made many innovations in their artistic methods: first, the theme has paid more attention to the growth process of characters while glorifying heroism and sticking to faith; secondly, in the aspect of character image,Has molded the distinct characteristic feminine image, these female images in the spy war drama plays the important role which foil the protagonist and the supplementary plot; again, since the new century espionage war drama has carried on the more exploration in the plot arrangement,Formed the narrating style that belongs to espionage war drama.It is of great significance to sort out the current situation of espionage drama and summarize the creative experience of this kind of TV drama.In view of the current work and research status of spy drama, this paper takes domestic spy drama as one of the types of drama, and makes a comprehensive analysis and combing of domestic espionage drama.The organizational structure of this thesis is as follows: the first part is introduction, which summarizes the background of the topic, summarizes the current research situation of domestic espionage drama in academic circles, the second part defines the concept of espionage drama, and summarizes its development status;The third part aims at the espionage drama to carry forward heroism, stick to the belief sentiment, outline the individual growth, and insinuate the four main themes of today's workplace. The fourth part selects the representative female characters.Finally, take the predawn as an example to analyze the narrative plot of espionage drama.
【學(xué)位授予單位】：南京航空航天大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J904

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本文編號(hào)：1701691