本文選題：反腐劇　切入點(diǎn)：黨員干部　出處：《河北大學(xué)》2017年碩士論文

【摘要】：自二十世紀(jì)九十年代反腐劇發(fā)軔以來(lái),涌現(xiàn)出了許多弘揚(yáng)社會(huì)主義價(jià)值觀、順應(yīng)時(shí)代發(fā)展潮流的優(yōu)秀作品,諸如《蒼天在上》《忠誠(chéng)》《大雪無(wú)痕》《絕對(duì)權(quán)力》《國(guó)家干部》等。而黨員干部角色作為反腐劇的“靈魂”,作為整劇主旨思想的承載者,不論是從弘揚(yáng)主流意識(shí)形態(tài)、傳播正確價(jià)值導(dǎo)向,還是樹(shù)立執(zhí)政黨良好形象、深化人民群眾對(duì)黨員干部的了解等方面,都起到了極其重要的作用。因此本文立足于對(duì)反腐劇中黨員干部形象塑造的研究,利用文獻(xiàn)調(diào)查及案例研究的方法,以期挖掘出此類人物形象塑造中所隱藏的藝術(shù)創(chuàng)作規(guī)律和前瞻性啟示。本文第一章對(duì)反腐劇的界定、反腐劇中黨員干部塑造的時(shí)代背景、反腐劇及黨員干部形象的發(fā)展流變、黨員干部形象塑造的現(xiàn)實(shí)意義等方面進(jìn)行了分析概述;第二章針對(duì)反腐劇所要弘揚(yáng)的積極內(nèi)容的承載者——先進(jìn)黨員干部形象的人格、性格特征做了深入剖析;第三章從電視敘事學(xué)的角度,探究了現(xiàn)有反腐劇中黨員干部形象的塑造策略;第四章從影視視聽(tīng)藝術(shù)的角度,探究了現(xiàn)有反腐劇中黨員干部形象的塑造策略;第五章探究了現(xiàn)階段反腐劇創(chuàng)作中存在的一些問(wèn)題,并對(duì)未來(lái)影視藝術(shù)創(chuàng)作者創(chuàng)作反腐劇提出了符合時(shí)代發(fā)展需要的啟示性建議。實(shí)現(xiàn)中華民族偉大復(fù)興的中國(guó)夢(mèng),是時(shí)代賦予我們的神圣使命。影視藝術(shù)創(chuàng)作者要牢牢踏準(zhǔn)時(shí)代脈搏,用服務(wù)時(shí)代的歷史責(zé)任感和高昂熱情,為廣大受眾創(chuàng)作出精湛的反腐題材影視劇作品,無(wú)愧于這個(gè)時(shí)代。
[Abstract]:Since the beginning of the anti-corruption drama in the 1990s, many excellent works have emerged to carry forward the socialist values and conform to the trend of development of the times, such as "Heaven in Heaven", "loyalty", "Greater Snow without traces", "absolute Power", "State cadres", and so on.The role of party members and cadres, as the "soul" of the anti-corruption drama and the carrier of the whole drama's main idea, whether it is to carry forward the mainstream ideology, to spread the correct value orientation, or to establish a good image of the ruling party,Deepening the people's understanding of party members and cadres has played an extremely important role.Therefore, based on the study of the image of party members and cadres in the anti-corruption drama, this paper makes use of the methods of literature investigation and case study in order to find out the hidden artistic creation law and forward-looking enlightenment in the shaping of this kind of character image.The first chapter analyzes and summarizes the definition of anti-corruption drama, the background of the party member and cadre shaping, the development and evolution of the anti-corruption drama and the image of the party member and cadre, and the realistic significance of shaping the image of the party member and cadre.The second chapter makes a thorough analysis of the personality and character characteristics of the image of the advanced party members and cadres, which is the carrier of the positive content to be carried forward by the anti-corruption drama; the third chapter is from the perspective of television narratology.The fourth chapter probes into the tactics of shaping the image of the party members and cadres in the current anti-corruption drama from the angle of audio-visual art of film and television, and probes into the molding strategies of the image of the party members and cadres in the current anti-corruption drama.The fifth chapter explores some problems existing in the creation of anti-corruption drama at the present stage, and puts forward some enlightening suggestions for the future film and television art creators to create anti-corruption drama in line with the needs of the development of the times.Chinese Dream, who realizes the great rejuvenation of the Chinese nation, is the sacred mission entrusted to us by the times.The creators of film and television art should firmly follow the pulse of the times and use the sense of historical responsibility and high enthusiasm of serving the times to create exquisite works of anti-corruption films and TV dramas for the broad audience, worthy of this era.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：J905

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