發(fā)布時(shí)間：2018-03-29 00:07

  本文選題：民族史　切入點(diǎn)：認(rèn)知論　出處：《中國(guó)電視》2017年09期

【摘要】：正民族史紀(jì)錄片是兼有民族志紀(jì)錄片和歷史文化紀(jì)錄片特征的紀(jì)錄片類型。近年來(lái),在新史觀和新技術(shù)的雙重影響下,民族史紀(jì)錄片呈現(xiàn)出新圖景。從"認(rèn)知論"視角來(lái)看,紀(jì)錄片既建構(gòu)世界觀,也通過(guò)傳播引導(dǎo)人們認(rèn)知世界,誠(chéng)如比爾·尼科爾斯(Bill Nichols)所言:"紀(jì)錄片并非現(xiàn)實(shí)的復(fù)制品,它是對(duì)我們生存世界的一種再現(xiàn),它代表某種特定的世界觀。"~①民族史紀(jì)錄片以"新紀(jì)實(shí)"的方式進(jìn)行視覺化的知識(shí)生產(chǎn)與知識(shí)傳播。
[Abstract]:In recent years, under the dual influence of the new historical view and the new technology, the documentary of national history presents a new picture. From the perspective of "cognitive theory", the documentary of national history is a kind of documentary with the characteristics of ethnography and historical and cultural documentaries. As Bill Nichols puts it: "documentary is not a replica of reality, it is a reproduction of the world we live in." It represents a particular world view. "the documentary film of national history visualizes the production and dissemination of knowledge in the form of" new documentary ".
【作者單位】： 華東政法大學(xué)傳播學(xué)院;
【基金】：2015上海市哲學(xué)社會(huì)科學(xué)規(guī)劃青年課題資助項(xiàng)目〈課題編號(hào):2015EXW001〉階段性研究成果
【分類號(hào)】：J952
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本文編號(hào)：1678660