本文選題：潮語(yǔ)戲曲片　切入點(diǎn)：香港電影史　出處：《當(dāng)代電影》2017年07期

【摘要】：本文勾勒了20世紀(jì)五六十年代湖語(yǔ)戲曲片的歷史,并在很少受到學(xué)界關(guān)注的潮語(yǔ)片的語(yǔ)境下重訪"影""戲"之爭(zhēng)。"冷戰(zhàn)"背景下內(nèi)地與香港的潮語(yǔ)片合拍處于地緣政治的張力中心,也提供著重寫香港電影史的可能。潮語(yǔ)戲曲片在東南亞地區(qū)的跨地接受見(jiàn)證了政治影響與商業(yè)驅(qū)動(dòng)的齊頭并進(jìn),也將華語(yǔ)電影史的寫作引向大中華地區(qū)之外。
[Abstract]:This paper outlines the history of lake opera films in the 1950s and 1960s. And in the context of the seldom paid attention by scholars to the controversy of "shadow" and "drama". Under the background of "Cold War", the mainland and Hong Kong are in the center of geopolitical tension. It also offers the possibility of focusing on the history of Hong Kong cinema. The cross-regional acceptance of Chao Opera films in Southeast Asia has witnessed the simultaneous development of political influence and commercial drive, and has also led the writing of the history of Chinese cinema beyond the Greater China region.
【作者單位】： 芝加哥大學(xué);
【分類號(hào)】：J951
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本文編號(hào)：1674025